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Traveling throughout the British Empire, including the Middle East, India, Canada, and North Africa, and even to the Americas, the artists adapted to new climes and foreign cultures partially by documenting the unfamiliar through their art, sometimes at great physical risk. This volume of essays offers fresh evidence that through their travel and art, women extended both geographic and social boundaries. 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After losing her   father at age twelve and facing financial insecurity, she fought to gain   access to artistic training and opportunity. She was pressured to marry at   age twenty, to an art dealer who both helped and harmed her career. Vigee Le   Brun deployed her intelligence and beauty to attract powerful clients, who   relied on her to style the personal identities they projected to the   world.            Vigee Le Brun's salons were the talk of Paris, and she became court painter   to Marie Antoinette. Then came the French Revolution, when marginalized   groups demanded change to centuries-old systems of oppression. Vigee Le Brun   was forced to reexamine her alliances and run for her life, taking her young   daughter but leaving her husband behind. Making her way through the   countrysides and capitals of Europe and Russia-including a stay at the   imperial court of Catherine the Great-the artist conquered fear and adversity   to refashion her life and her art.            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