{"title":"Julia Bryan Wilson","description":null,"products":[{"product_id":"art-workers-book-julia-bryan-wilson-9780520257283","title":"Art Workers","description":"During the late 1960s and early 1970s, in response to the political turbulence generated by the Vietnam War, an important group of American artists and critics sought to expand the definition of creative labor by identifying themselves as 'art workers'. 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Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of \"craftivism\" the politics and social practices associated with handmaking Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high\/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuna, the small hand-sewn tapestries depicting Pinochet's torture, and the NAMES Project AIDS Memorial Quilt are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much \"in the fray\" of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles high and low, untrained and highly skilled, conformist and disobedient, craft and art.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49727983485201,"sku":"NGR9780226077819","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50286894252305,"sku":"GOR013913339","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50915673276689,"sku":"GOR011495460","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51712906658065,"sku":"CIN0226077810G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53489666457873,"sku":"GOR014944466","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226077810.jpg?v=1751324110"},{"product_id":"liza-lou-book-julia-bryan-wilson-9780847870752","title":"Liza Lou","description":"Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labour, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou s long-standing exploration of materiality, process, and beauty. Working within a craft metier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa in 2005, to a women s prison in Belm, Brazil, and a bead embroidery collective in Mumbai, India. Over the past 15 years, Lou has focused on a poetic approach to abstraction as a way to highlight the process under-lying her work. In this comprehensive volume that considers the entirety of her singular vision, curators, art historians, and artists offer important perspectives on the breadth of her work.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49743464988945,"sku":"NGR9780847870752","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0847870758.jpg?v=1751233474"},{"product_id":"louise-nevelson-s-sculpture-book-julia-bryan-wilson-9780300236705","title":"Louise Nevelson's Sculpture","description":"A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative proceduresrelate to gendered, classed, and racialized forms of making","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49745038475537,"sku":"NGR9780300236705","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51093826044177,"sku":"NIN9780300236705","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300236700.jpg?v=1751196295"},{"product_id":"ana-mendieta-book-julia-bryan-wilson-9781853323171","title":"Ana Mendieta","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50129105191185,"sku":"CIN1853323179G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51708822487313,"sku":"GOR006773978","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1853323179.jpg?v=1751249723"},{"product_id":"ida-applebroog-book-julia-bryan-wilson-9783952363003","title":"Ida Applebroog","description":"In 2009, a box of forgotten notebooks was rediscovered in the basement of Ida Applebroog's studio--Strathmore drawing tablets, with the words \"Vagina Drawings\" scrawled on the cover. Forty years prior, Applebroog took sanctuary from the pressures of the home in an evening bath. Her nightly soak offered her moments of meditation and, equipped with her drawing pad, she began drawing portraits of her crotch. Applebroog's newest body of work, \u003ci\u003eMonalisa\u003c\/i\u003e, is in many ways an extension of that ritual. The centerpiece of this project is a room-sized wooden structure covered with more than 100 new vagina drawings--reappropriations of the 1969 originals. In the catalogue essay, Julia Bryan-Wilson contends that the installation, \"with its signature figural obsessions and urgent feminist force, feels like an epic culmination of Applebroog's] entire oeuvre.\" \u003ci\u003eMonalisa\u003c\/i\u003e offers new insight into Applebroog's work with full-color reproductions of the never-before-seen 2009 drawings, images of the installation and an essay by Julia Bryan-Wilson.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51063680368913,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51063682826513,"sku":"NIN9783952363003","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3952363006.jpg?v=1751128384"},{"product_id":"robert-morris-book-julia-bryan-wilson-9780262519618","title":"Robert Morris","description":"\u003cp\u003e\u003cb\u003eEssays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (b. 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of \u003ci\u003eOctober \u003c\/i\u003eabout resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51317022261521,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51317023146257,"sku":"GOR014224111","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262519615.jpg?v=1750695347"},{"product_id":"art-workers-book-julia-bryan-wilson-9780520269750","title":"Art Workers","description":"During the late 1960s and early 1970s, in response to the political turbulence generated by the Vietnam War, an important group of American artists and critics sought to expand the definition of creative labor by identifying themselves as 'art workers'. 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