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Appreciating America’s unique natural wonders dovetailed with children’s growth as citizens, but children’s journals often exceeded a pedagogical purpose, intending also to entertain and delight. Though these volumes aimed at a relatively conservative and mostly white, middle-class, and affluent audience, some selections allowed both children and their parents room for imaginative escape from restrictive social norms.   Covering a period that initially regarded children’s natural bodies as laboring resources, Stronger, Truer, Bolder traces the shifting pedagogical impulse surrounding nature and the environment through the transformations that included America’s nineteenth century emergence as an industrial power. Karen L. Kilcup shows how children’s literature mirrored those changes in various ways. In its earliest incarnations, it taught children (and their parents) facts about the natural world and about proper behavior vis-à-vis both human and nonhuman others. 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Narcissa Owen was of mixed Cherokee and Scots-Irish descent and the daughter of a leader of the Old Settlers (those Cherokees who moved west prior to their subsequent forced removal by the U.S. government, the notorious Trail of Tears). The Memoirs reveal a fascinating and complex 19th-century woman - an artist, music teacher, storyteller, Confederate slave owner, Washington socialite, wife of a white railroad executive, widow, and mother of the first Native American U.S. Senator, Robert L. Owen, Jr. Her writings interpret the history of the tribe and describe the cultural upheaval of the Cherokees moving west. They also offer a glimpse into antebellum, Civil War, and Reconstruction American life. This edition provides a wealth of background information including a biographical preface, chronology of Owen's life, genealogy, and textual footnotes. 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Most American poets wrote for children - from famous names such as Ralph Waldo Emerson to less familiar figures like Christina Moody, an African American author who published her first book at sixteen. In its excellence, relevance, and abundance, much of this work rivals or surpasses poetry written for adults, yet it has languished - inaccessible and unread - in old periodicals, gift books, and primers. This groundbreaking anthology remedies that loss, presenting material that is both critical to the tradition of American poetry and also a delight to read. Complemented by period illustrations, this definitive collection includes work by poets from all geographical regions, as well as rarely seen poems by immigrant and ethnic writers and by children themselves. Karen L. Kilcup and Angela Sorby have combed the archives to present an extensive selection of rediscoveries along with traditional favorites. 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