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The upheavals of the 1960s - civil rights protests, brutal state violence, race riots - made him question the relevance of gestural abstraction, however, and his drawing explored the new figuration for which he is best known. In response to the Vietnam War and the hypocrisy of the political administration under President Richard Nixon in the 1970s, his figurative drawing intensified to address universal issues facing modern humankind. Guston's productive output was driven by his desire to unify the story and the plastic structure of the artwork in response to a changing political and social landscape. 'Locating the image' through intensive periods of drawing was central to this.    This exhibition at the Ashmolean Museum, curated by Professor Karen Lang with Dr Lena Fritsch, is the first solo show of Guston's work in Oxford. His artistic language, characterised by masterful technique, exuberant stylistic variety and the depiction of everyday objects, is readily recognisable. 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