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'Plums' is a tour de force of transformation, an example of how compelling art can emerge from a chrysalis of absurdity.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49653075607825,"sku":"GOR012936201","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52655891808529,"sku":"NLS9781905233342","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1905233345.jpg?v=1750931954"},{"product_id":"cambridge-companion-to-war-writing-book-kate-mcloughlin-9780521720045","title":"The Cambridge Companion to War Writing","description":"War writing is an ancient genre that continues to be of vital importance. Times of crisis push literature to its limits, requiring writers to exploit their expressive resources to the maximum in response to extreme events. 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Offering fresh readings of canonical and non-canonical works, she shows how authors from William Wordsworth to J. K. Rowling have deployed veterans to explore questions that are simultaneously personal, political, and philosophical: What does a community owe to those who serve it? What can be recovered from the past? Do people stay the same over time? Are there right times of life at which to do certain things? Is there value in experience? How can wisdom be shared? Veteran Poetics features veterans who travel in time, cause havoc with their reappearances, solve murders, refuse to stop talking about the wars they have been in, and refuse to say a word about them. Through this last trait, they also prompt consideration of possible critical responses to silence.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50371224666385,"sku":"CIN1107195934G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50371229450513,"sku":"CIN1107195934VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50808667144465,"sku":"GOR009887387","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52633752043793,"sku":"NLS9781107195936","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1107195934.jpg?v=1750854213"},{"product_id":"cambridge-companion-to-war-writing-book-kate-mcloughlin-9780521895682","title":"The Cambridge Companion to War Writing","description":"War writing is an ancient genre that continues to be of vital importance. 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The eight chapters in this book, written by leading and up-and-coming scholars in the field, illuminate the creative innovations, improvisations, and implosions which happen when the demands of writing war and writing lives collide. Central to all is the question of authenticity: how can wars and lives be known and who can speak of them with authority? This volume has a generous chronological and generic range, beginning in the early 1800s and stretching to twenty-first-century texts, and covering letters, diaries, fiction, ‘fakeries’, poetry, biography, testimony, songs, objects, and digital media. The mix of authors is similarly varied: Thomas Hardy, W. H. Auden and Elizabeth Bowen rub shoulders with Yousif M. Qasmiyeh (a contemporary Palestinian poet), Farah Baker (a Gazan teenager) and the writers behind the pen names Araki Yasusada and Jiri Kajanë. This book was originally published as a special issue of Textual Practice.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50697132310801,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50697134342417,"sku":"NGR9780367023997","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0367023997.jpg?v=1751071369"},{"product_id":"british-literature-in-transition-19601980-flower-power-book-kate-mcloughlin-9781107129573","title":"British Literature in Transition, 19601980: Flower Power","description":"This volume traces transitions in British literature brought about by the rapid, momentous and far-reaching changes of the 1960s and 1970s, illuminating a diverse range of authors, texts, genres and movements. 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Finally, it focuses on shifts within the oeuvres of individual authors - two poets, two dramatists and a novelist: Philip Larkin and Ted Hughes, Harold Pinter and Caryl Churchill, and Iris Murdoch.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51168684507409,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51168686866705,"sku":"NIN9781107129573","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1107129575.jpg?v=1751237684"},{"product_id":"modernist-party-book-kate-mcloughlin-9781474401418","title":"The Modernist Party","description":"Have you ever been struck by the number of parties in Modernist literature? 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Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism. Often overlooked in accounts of war literature is the writer's precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn's daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn's rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier's magazine. 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She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. 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