{"title":"Kathleen Williams","description":null,"products":[{"product_id":"kathleen-s-pad-pen-kollections-book-kathleen-williams-9781462412754","title":"Kathleen's Pad \u0026 Pen Kollections","description":"Come and experience changing times, a gathering at a table, flying kites, a special place to picnic, four leaf clovers, end of the garden relish, a brownie camera, the old oak tree, the cloth napkin, farmer's market, holidays and many more. These poem's hold memories, experiences, love, faith, laughter, tears, and an amazing gift given to me from God ---- my poetry written for all.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49810711576849,"sku":"CIN1462412750G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52680943632657,"sku":"NLS9781462412754","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53403089502481,"sku":"NIN9781462412754","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1462412750.jpg?v=1751179325"},{"product_id":"painting-war-book-kathleen-broome-williams-9781682474266","title":"Painting War","description":"Scottish artist George Plante did not enter World War II as an artist but as a volunteer radio operator in the British merchant fleet. There he spent more than two years engaged in the long-running and fierce Battle of the Atlantic, splitting his time between Britain and the United States. But while dodging U-boats and battling the elements, he also painted. Every time his tanker docked in New York he pursued contacts in the worlds of art and advertising. Even in the midst of a devastating conflict, he never lost sight of his devotion to his craft.     Very quickly, he caught the attention of agents of the British Ministry of Information (MOI) and of the War Artists Advisory Committee (WAAC). They recruited him to use his paintings of the war at sea for what was seen as a vital effort to rally Americans for the war effort in Britain.  In March 1943 Plante's nautical days ended abruptly after his tanker was torpedoed and sank. Surviving and returning to Britain, he was reassigned to work closely with the Americans in Egypt and Italy, this time to use his art as overt propaganda, both to demonize the Nazi and Fascist enemy and to arouse opposition to them among occupied peoples under their control. Plante's unusual wartime career spanned three continents, moving from the North Atlantic to North Africa and the Mediterranean. Both at sea and on land, Plante was far from the policy-making, strategic, and even operational levels of the war. Rather, the decisions he was called upon to make dealt with color and style and layout. Seeing the war through George Plante's vivid and articulate letters and memoirs, and through his art, adds a granular, ground-level view that expands and enriches the historical record.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50030133281041,"sku":"GOR013841580","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50091930910993,"sku":"CIN1682474267G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51101526229265,"sku":"NIN9781682474266","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1682474267.jpg?v=1750721931"},{"product_id":"spenser-s-faerie-queene-the-world-of-glass-rare-book-kathleen-williams-1697104618lee","title":"Spenser's Faerie Queene. The World of Glass","description":"1966. First Edition. 241 pages. No dust jacket. This is an ex-Library book. Green cloth. Ex-Library copy, with expected inserts and inscriptions. Binding remains firm. Pages are lightly tanned through","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50081755005201,"sku":"1697104618LEE","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1697104618LEE_1.jpg?v=1722909771"},{"product_id":"tee-time-one-swing-at-a-time-book-kathleen-williams-9781475132052","title":"Tee Time : One Swing at a Time","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51595037114641,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51595037573393,"sku":"GOR014341204","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1475132050.jpg?v=1751371616"},{"product_id":"spenser-s-world-of-glass-book-kathleen-williams-9780520307858","title":"Spenser's World of Glass","description":"Spencer's World of Glass: A Reading of *The Faerie Queene presents Kathleen Williams’s luminous reappraisal of Spenser as not merely a painter of sumptuous scenes but a rigorous maker of worlds. Refusing the tired cliché that Spenser’s epic is “a poem that nobody reads,” Williams shows how its apparent luxuriance serves a profoundly architectonic purpose: the poem generates its own coherent universe, where romance wandering and moral design interlock. Knights such as Red Crosse, Guyon, and Britomart are not walking abstractions but experiential agents whose quests model the mind’s labor to wrest meaning from a resistant world.   At the center of Williams’s argument is Spenser’s fusion of romance narrative with an allegorical method that orders rather than flattens lived experience. Allegory here is no pageant of personifications; it is a structural principle that binds episodes, images, and “virtues” into an intelligible cosmos—what Williams, following Spenser, evokes as a “world of glass,” round, reflective, and exacting. The poem’s “mighty maze” is “not without a plan”: its digressions are dramatizations of human perplexity; its resolutions disclose a lawfulness felt before it is understood.   Williams traces how Spenser’s epic “makes” nature by compressing and clarifying significances across psychological, ethical, political, and cosmic registers. The virtues organize books as points of view rather than labels, converging toward magnificence, Gloriana’s court, and Nature’s ordinance. Throughout, Williams’s readings are alert to texture and structure alike, revealing how Spenser’s ease is the mark of controlled power and how the poem’s generosity of detail is the condition of its truth.   A model of analytic poise and critical tact, this study restores The Faerie Queene as a living, intelligible whole—an artful imitation of life in which order emerges from bewilderment and the glassy world clarifies the one we inhabit.   This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. 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Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52150572548369,"sku":"NLS9780415568869","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780415568869.jpg?v=1757610533"},{"product_id":"spenser-s-world-of-glass-book-kathleen-williams-9780520358942","title":"Spenser's World of Glass","description":"Spencer's World of Glass: A Reading of *The Faerie Queene presents Kathleen Williams’s luminous reappraisal of Spenser as not merely a painter of sumptuous scenes but a rigorous maker of worlds. Refusing the tired cliché that Spenser’s epic is “a poem that nobody reads,” Williams shows how its apparent luxuriance serves a profoundly architectonic purpose: the poem generates its own coherent universe, where romance wandering and moral design interlock. Knights such as Red Crosse, Guyon, and Britomart are not walking abstractions but experiential agents whose quests model the mind’s labor to wrest meaning from a resistant world.   At the center of Williams’s argument is Spenser’s fusion of romance narrative with an allegorical method that orders rather than flattens lived experience. Allegory here is no pageant of personifications; it is a structural principle that binds episodes, images, and “virtues” into an intelligible cosmos—what Williams, following Spenser, evokes as a “world of glass,” round, reflective, and exacting. The poem’s “mighty maze” is “not without a plan”: its digressions are dramatizations of human perplexity; its resolutions disclose a lawfulness felt before it is understood.   Williams traces how Spenser’s epic “makes” nature by compressing and clarifying significances across psychological, ethical, political, and cosmic registers. 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