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Money's camera recorded matters on an hour-to-hour, day-to-day basis, from first rehearsals to public performance. To complete certain sequences, the photographer (who had become a close friend of his subjects) often travelled extensively; once he joined the pair on a 7000-mile round trip. He has now assembled a panoramic selection of masterprints to provide a record of one of the outstanding theatrical experiences of our time. Money's introduction and commentary provide a counterpoint to his photographic history. 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