{"title":"Kirk Freudenburg","description":null,"products":[{"product_id":"horace-satires-and-epistles-book-kirk-freudenburg-9780199203536","title":"Horace: Satires and Epistles","description":"The articles included in this volume represent some of the finest writing on Horace's satires (Sermones) and epistles (Epistulae) over the past fifty years. Several have previously only been accessible in specialist journals, while five appear here for the first time in English translation. All are remarkable for the way in which they do their work at multiple levels, moving from the basics of grammar, vocabulary, and syntax to issues of genre, socio-politics, and beyond. Collectively, these articles underscore and exemplify the value of close reading, and of paying strict attention to detail. Starting with the specifics of the poetic page, they lead us into the various complex and overlapping discursive systems that Horace's poems both arise from and seek to address. A specially written Introduction surveys recent scholarship, and the specific impact of each article included.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50207380275473,"sku":"GOR013888854","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0199203539.jpg?v=1750973514"},{"product_id":"satires-of-rome-book-kirk-freudenburg-9780521006217","title":"Satires of Rome","description":"This survey of Roman satire locates its most salient possibilities and effects at the center of every Roman reader's cultural and political self-understanding. This book describes the genre's numerous shifts in focus and tone over several centuries (from Lucilius to Juvenal) not as mere 'generic adjustments' that reflect the personal preferences of its authors, but as separate chapters in a special, generically encoded story of Rome's lost, and much lionized, Republican identity. Freedom exists in performance in ancient Rome: it is a 'spoken' entity. As a result, satire's programmatic shifts, from 'open' to 'understated' to 'cryptic' and so on, can never be purely 'literary' and 'apolitical' in focus and\/or tone. In Satires of Rome, Professor Freudenburg reads these shifts as the genre's unique way of staging and agonizing over a crisis in Roman identity. Satire's standard 'genre question' in this book becomes a question of the Roman self.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51002963230993,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51002965623057,"sku":"NIN9780521006217","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52472441274641,"sku":"NLS9780521006217","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/052100621X.jpg?v=1750815458"},{"product_id":"virgil-s-cinematic-art-book-kirk-freudenburg-9780197643242","title":"Virgil's Cinematic Art","description":"Virgil's Cinematic Art concerns the rhetoric of visual manipulation that provokes us to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centered primarily on Virgil's Aeneid, Kirk Freudenburg shows that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers (interpellated as viewers) into and out of the visual and emotional worlds of the story's characters.   Studies of visualization in Latin poetry have tended to treat what is seen in epic as a matter of what is there to be seen, rather than an expression of how someone sees, treating images as mostly static. This study, by contrast, concerns the cinematics of ancient narrative: how words provoke an active, forward-moving process of experiential participation; poets not as verbal painters, but as projectors, purveyors of imagined happenings. Informed by cognitivist and constructivist studies of how audiences watch narrative films and make sense of what they are being given to see, Freudenburg locates new narrative content lurking in old places, brought to life within the imaginations of readers. The end result is a new approach to the question of how ancient epic tales convey narrative content through visual means.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51095295197457,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51095295754513,"sku":"NIN9780197643242","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0197643248.jpg?v=1776938540"},{"product_id":"satires-of-rome-book-kirk-freudenburg-9780521803571","title":"Satires of Rome","description":"This survey of Roman satire locates its most salient possibilities and effects at the center of every Roman reader's cultural and political self-understanding. This book describes the genre's numerous shifts in focus and tone over several centuries (from Lucilius to Juvenal) not as mere 'generic adjustments' that reflect the personal preferences of its authors, but as separate chapters in a special, generically encoded story of Rome's lost, and much lionized, Republican identity. Freedom exists in performance in ancient Rome: it is a 'spoken' entity. As a result, satire's programmatic shifts, from 'open' to 'understated' to 'cryptic' and so on, can never be purely 'literary' and 'apolitical' in focus and\/or tone. In Satires of Rome, Professor Freudenburg reads these shifts as the genre's unique way of staging and agonizing over a crisis in Roman identity. Satire's standard 'genre question' in this book becomes a question of the Roman self.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51285857501457,"sku":"NIN9780521803571","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52432475226385,"sku":"NLS9780521803571","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/B00APYFVVO.jpg?v=1751135429"},{"product_id":"cambridge-companion-to-roman-satire-book-kirk-freudenburg-9780521803595","title":"The Cambridge Companion to Roman Satire","description":"Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52667260993809,"sku":"NLS9780521803595","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780521803595.jpg?v=1762282104"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-kirk-freudenburg.oembed","provider":"World of Books ","version":"1.0","type":"link"}