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Mapping a loosely chronological series of formative arguments, developments, and happenings, \u003ci\u003eMass Effect\u003c\/i\u003e provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMass Effect\u003c\/i\u003e brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as postinternet. Other contributions analyze and document particular works by the artists of And\/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eMass Effect\u003c\/i\u003e relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. 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