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Edited by art historian Sarah Whitfield, four decades of Gowing’s writing are brought together for the first time in this volume, covering subjects from the Old Masters to Francis Bacon and Howard Hodgkin.   Having first gained success as a painter, Gowing's 1952 monograph on Vermeer brought him early recognition as a writer with the ability to combine aesthetic experience with a meticulous historical perspective.   Gowing’s foremost commitment was to the pioneering painters of the late nineteenth and early twentieth centuries, notably Paul Cézanne and Henri Matisse. The exhibitions he curated at the Tate and Museum of Modern Art famously helped to mould and reshape public perceptions. 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