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Lead by dog trainer Karl Lewis Miller, the multiple St. Bernards used to portray the titular rabid canine would terrify hardened horror devotees with brilliantly orchestrated attack sequences during the film's climactic siege sequence that would see Dee Wallace trapped inside a dead Ford Pinto with child actor Danny Pintauro along for the harrowing ride. With it's sophistication and deep subversive intelligence, Cujo is a biting critique on the breakdown of the American family, an electric take on the woman in the storm story trope, a personal and introspective ecologically themed horror film (a subgenre usually socially and politically motivated) and a perfectly realised example of the power of circumstance. It also thoroughly scrutinizes fear - both real and imagined - in a sharp and magnetic manner. Lee Gambin's book analyses the entire film scene by scene - and along with the academic input there is exhaustive coverage of the production. 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