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It offers a generous insight into 125 carefully selected drawings realized between 1985 and 1993--the period the collective spent in New York--spanning the diversity and innovation of their singular approach to drawing and art. The publication's design is inspired by George Grosz's legendary Ecce Homo album (1922-1923) because, according to AA Bronson, \"the Anti-Semitism in Grosz's narrative is mirrored by the homophobia in ours.\"Investigating motifs in the group's multimedia works such as poodles, stiletto heels, masks, heraldry, and metamorphosed genitalia, these drawings were primarily produced by Jorge Zontal during group meetings. However, given General Idea's mandate for co-authorship, as well as the circumstances under which they were executed, the drawings are considered to be collaborative. Although they are done entirely by hand, the repetition of specific motifs follows a viral logic that is akin to General Idea's own penchant for mass reproduction. Seen together, these drawings are a fascinating window into General Idea's distinct artistic vision as well as their unique notions of collaboration and co-authorship. As Claire Gilman states in her introduction: \"The drawings are on the one hand dizzyingly full--this is particularly true of the later drawings where cockroaches spawn and multiply amid dots and splatters of color--and, on the other, hauntingly vacant consisting of mere stains or barely-there outlines, even within a single series. Lest we get too caught up in any one particular rendition, another follows, giving the lie to its predecessor. In their mutability and insistent flow, they are an intimate manifestation of the theatrical nature of existence, exposing representation's inadequacy while acknowledging its urgency.\"Edited and introduced by Lionel Bovier and Claire Gilman, co-curators of the exhibition Ecce Homo. The Drawings of General Idea, 1985-1993 held in 2022-2023 at MAMCO Geneva and The Drawing Center, New York, the book also features a conversation with AA Bronson and an index of the drawings.Published with MAMCO Geneva and The Drawing Center, New York ","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746614681873,"sku":"NGR9783037645949","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52761096651025,"sku":"NIN9783037645949","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3037645946.jpg?v=1751188932"},{"product_id":"art-basel-year-45-book-lionel-bovier-9783037643952","title":"Art Basel | Year 45","description":"Following the success of Art Basel Year 44, Art Basel Year 45 retraces and documents the dynamic experience of 2014's Art Basel three fairs in Basel, Miami Beach, and Hong Kong.Designed by Gavillet \u0026amp; Rust (Geneva), the Art Basel yearbook has an A-to-Z format that maps the world of Art Basel with a comprehensive look at the shows of 2014. This elegant, hardcover publication offers the widening audience of art lovers a compilation of portfolios, interviews, and essays on contemporary art, and lists all exhibitors participating in the three exhibitions.It depicts works from the different shows' sectors, highlights events and talks, and gives art world experts, curators, and collectors a platform for sharing their expertise, providing an immersive art experience for the reader.Among the authors and artists featured are Nadim Abbas, Harry Bellet, Klaus Biesenbach, Stuart Comer, Paula Cooper, Cosmin Costinas, Bice Curiger, Douglas Fogle, Alex Gartenfeld, Massimiliano Gioni, Hou Hanru, Yuko Hasegawa, Chrissie Iles, Joan Jonas, Nadia Kaabi-Linke, Ruba Katrib, Chus Martinez, Ryan McNamara, Jessica Morgan, Carsten Nicolai, Hans Ulrich Obrist, Taiyana Pimentel, Sarah Thornton, Wolfgang Tillmans, Jane \u0026amp; Louise Wilson, Xu Zhen, and many others whose work contributed this year to the fairs on all three continents.An extensive survey, a path to discovery, an indispensable piece of memorabilia--the fair's official annual publication. 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Rearranging content and formal elements through a personal poetic filter while drawing directly on the outside world, he envelops the audience in a synesthetic experience.The artist has developed very precise and repetitive series--clown sculptures and videos, target acrylic paintings on linen, rubber masks, aluminium face sculptures, oversized wax lightbulbs, striped paintings on polyester, stone sculptures, landscape ink painting, bronze still-life objects, video and sound installations--through which he explores themes of fantasy and desire, branching out in literature and poetry, contemporary cinema, and the visual arts.A new series of three publications extensively documents three of his most renowned series: the Landscape paintings, the Horizon paintings, and the Sun paintings.In the first volume dedicated to the Sun paintings (1992-2012), critic and art historian Lionel Bovier offers a visual and perceptual analysis, while Morgan Falconer examines the main characteristics of this series in relation to Rondinone's work and biography, stating that, \"If the circles do have a connection to Rondinone's biography, it is allegorical. 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