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Grace arrives with a box of mementos from her grandfather's house-objects that for Prudence release long-repressed memories and bring her to a new understanding of the choices she made in work and love, and what she faces now in her final days.  The Peacock Feast spans the twentieth century and three continents, ricocheting from New York to San Francisco, from the decadent mansions of the Tiffany family to a Texas death-row prison, and from the London consultation room of Anna Freud to a California commune. 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An astute woman and an excellent judge of character, she thinks she knows what she's getting when she hires a nanny. Her phobia-addled son has just moved home with his wife and child, and Eva, a Peruvian immigrant, seems like the perfect addition. But as Eva reveals more of herself, their felicitous arrangement turns ominous. 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Tiffany, the eccentric glass genius, dynamites the breakwater at Laurelton Hall--his fantastical Oyster Bay mansion, with columns capped by brilliant ceramic blossoms and a smokestack hidden in a blue-banded minaret--so as to foil the town from reclaiming the beach for public use. The explosion shakes both the apple crate where Prudence, the daughter of Tiffany's prized gardener, is sleeping and the rocks where Randall, her seven-year-old brother, is playing.\u003cbr\u003e \u003cbr\u003e Nearly a century later, Prudence receives an unexpected visit at her New York apartment from Grace, a hospice nurse and the granddaughter of Randall, who Prudence never saw again after he left at age fourteen for California. The mementos Grace carries from her grandfather's house stir Prudence's long-repressed memories and bring her to a new understanding of the choices she made in work and love, and what she faces now in her final days.\u003cbr\u003e \u003cbr\u003e Spanning the twentieth century and three continents, \u003ci\u003eThe Peacock Feast\u003c\/i\u003e ricochets from Manhattan to San Francisco, from the decadent mansions of the Tiffany family to the death row of a Texas prison, and from the London consultation room of Anna Freud to a Mendocino commune. 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Nine years have passed since Ana Koehl had sex with her pot-addicted anesthesiologist husband, seven since she began an affair with a gonzo journalist. She’s gratified by her work as a book doula, but burdened by her belief that she need always be on call. Her elderly mother’s birthday greeting is an inflation-adjusted calculation of the cost of raising Ana in a mice-infested house, her brother has hijacked the will of their recently deceased starchitect father, her adult child is changing rapidly before her eyes, and her best friend advocates for “the truth in lies.” Gazing out at the dark moat of Central Park from behind her desk, Ana sees that she can no longer postpone making peace with her past or confronting her present.  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