{"title":"Liz Tomlin","description":null,"products":[{"product_id":"point-blank-book-liz-tomlin-9781841501697","title":"Point Blank","description":"Contains an introduction, which contextualises Point Blank's work in the wider tradition and history of British political theatre. This publication of Point Blank's early work is a useful reading for students, audiences, actors and directors interested in radical writing for performance.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49646735491345,"sku":"GOR002248352","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52685519520017,"sku":"NLS9781841501697","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1841501697.jpg?v=1789555944"},{"product_id":"staging-class-conflict-in-the-uk-book-liz-tomlin-9781009598613","title":"Staging Class Conflict in the UK","description":"This Element focuses on the frequent staging of the most precarious fraction of the working class in the context of a theatre industry, academy and audiences that are dominated by the cultural fraction of the middle class. It interrogates the staging of an abjectified figure as a means of challenging the stigmatisation of the poor in political discourse, defined here as an ideological imaginary of moral and cultural deficit. The Element argues that in seeking to subvert such an imaginary, theatre that stages the abjectified subject may risk consolidating two further imaginaries of working class deficit that have been confected in political discourse from the 1990s to the 2020s. In conclusion, the Element reflects on the political potential of theatre that rather seeks to eradicate class descriptors, conflicts and hierarchies altogether. 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How might theatre-makers’ provocations for change need to be differently designed when addressing the precarious spectator-subject of twenty- first century neoliberalism? In this important study Liz Tomlin interrogates the influential theories of Jacques Rancière to propose a new framework of analysis through which contemporary political dramaturgies can be investigated. Drawing, in particular, on Ernesto Laclau and Chantal Mouffe, Lilie Chouliaraki and Judith Butler, Tomlin argues that the capacities of the contemporary and future spectator to be ‘effected’ or ‘affected’ by politically-engaged theatre need to be urgently re-evaluated.\u003cbr\u003e\u003cbr\u003eCentral to this study is Tomlin’s theorized figuration of the neoliberal spectator-subject as precarious, individualized and ironic, with a reduced capacity for empathy, agency and the ability to imagine better futures. This, in turn, leads to a predilection for a response to injustice that is driven by a concern for the feelings of the subject-self,  rather than concern for the suffering other. These characteristics are argued to shape even those spectator-subjects towards the left of the political spectrum, thus necessitating a careful reconsideration of new and long-standing dramaturgies of political provocation.\u003cbr\u003e\u003cbr\u003eDramaturgies examined include the ironic invitations of Made in China and Martin Crimp, the exploration of affect in Kieran Hurley’s Heads Up, the new sincerity that characterizes the work of Andy Smith, the turn to the staging of the spectators’ ‘other’ in Developing Artists’ \u003ci\u003eQueens of Syria\u003c\/i\u003e and Chris Thorpe and Rachel Chavkin’s \u003ci\u003eConfirmation\u003c\/i\u003e, and the community activism of Common Wealth’s \u003ci\u003eThe Deal Versus \u003c\/i\u003e\u003ci\u003ethe People\u003c\/i\u003e.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52423757857041,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52423758610705,"sku":"NLS9781350197589","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350197589.jpg?v=1787946512"},{"product_id":"political-dramaturgies-and-theatre-spectatorship-book-liz-tomlin-9781474295604","title":"Political Dramaturgies and Theatre Spectatorship","description":"\u003cp\u003eWhat do we mean when we describe theatre as political today? 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