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Arguing that the games are strategically positioned in relation to contemporary audiences and designed to tap into the new forms of interpretation afforded by digital media, the author situates the games vis-à-vis a number of current debates, including the posthuman and the ethics of gameplay. The book delivers an object lesson on the value of narrative (and) complexity in digital play and in the interpretive practices it gives rise to.  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However, while most psychologically inspired models address interpreters' subpersonal (i.e., unconscious) responses, the experiential level of their engagement with narrative remains relatively undertheorized. Building on theories of experience and embodiment within today's \"second-generation\" cognitive science, and opening a dialogue with so-called \"enactivist\" philosophy, this book sets out to explore how narrative experiences arise from the interaction between textual cues and readers' past experiences. Caracciolo's study offers a phenomenologically inspired account of narrative, spanning a wide gamut of responses such as the embodied dynamic of imagining a fictional world, empathetic perspective-taking in relating to characters, and \"higher-order\" evaluations and interpretations. Only by placing a premium on how such modes of engagement are intertwined in experience, Caracciolo argues, can we do justice to narrative's psychological and existential impact on our lives. These insights are illustrated through close readings of literary texts ranging from Émile Zola's Germinal to José Saramago's Blindness.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51242873258257,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51242874732817,"sku":"NIN9783110278170","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52592272015633,"sku":"NLS9783110278170","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3110278170.jpg?v=1750902518"},{"product_id":"embodiment-and-the-cosmic-perspective-in-twentieth-century-fiction-book-marco-caracciolo-9780367517229","title":"Embodiment and the Cosmic Perspective in Twentieth-Century Fiction","description":"In dialogue with groundbreaking technologies and scientific models, twentieth century fiction presents readers with a vast mosaic of perspectives on the cosmos. 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Offering thoughtful commentary on work by both mainstream literary authors and science fiction writers (from Primo Levi to Jeanette Winterson, from Olaf Stapledon to Pamela Zoline), Embodiment and the Cosmic Perspective in Twentieth-Century Fiction explores the multiple ways in which narrative can radically defamiliarize our bodily experience and bridge the gap with cosmic realities. 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How much do language and metaphor shape experiential reports? Where is the dividing line between a humanistic and a scientific approach to experience? In a series of exchanges, Marco Caracciolo and Russell Hurlburt demonstrate that those are necessarily personal issues, and they don't flinch--they relentlessly examine whether Caracciolo's presuppositions distort his understanding of reading experiences and whether Hurlburt's attachment to the method he invented causes him to take an overly narrow view of experience. Delving ever more personally, they aim Hurlburt's experience sampling methods--beeping people to discover what was in their stream of inner experience at the moment immediately before the beep--at Caracciolo's own experiences, an exercise that puts Caracciolo's presuppositions to the test and leads him to discover things about experience (his own and literature's) that he had thought impossible.\u003cbr\u003e                \u003cbr\u003e \u003ci\u003eA Passion for Specificity\u003c\/i\u003e, with its personal revelations, unexpected twists, and confrontational style, reads like an epistolary novel, but it is a serious exploration of ideas at the heart of literature and science. 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What makes a narrative slow, and what conceptual and analytical tools are best suited to account for this slowness? Is slowness a feature of certain narratives, an experiential response to these narratives, or both? How is narrative slowness related to the pace and rhythm of plot, and how does it carry cultural significance?\u003cbr\u003e \u003cbr\u003e \u003ci\u003eSlow Narrative across Media\u003c\/i\u003e illuminates the concept of slow narrative and demonstrates how it manifests across media forms: from short stories to novel cycles, to comics, to music, to experimental film. 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