{"title":"Margaret Iversen","description":null,"products":[{"product_id":"cornelia-parker-book-margaret-iversen-9781912520077","title":"Cornelia Parker","description":"In October 2018 Cornelia Parker's Transitional Object (PsychoBarn) lands in the courtyard of the Royal Academy of Arts, London. This meticulous and unsettling installation - first shown on the roof of The Metropolitan Museum of Art against the skyline of New York's Central Park - is half stage set, half sculpture. The work, which draws on archetypal images of American culture such as the red barn and the infamous Bates motel from Alfred Hitchcock's Psycho, will now be seen against a backdrop of Burlington House's neoclassical buildings. Cornelia Parker was elected a Royal Academician in 2009. She has since had solo shows at the Whitworth Gallery, Manchester, and the Frith Street Gallery, London. She is well known for her installations, including Cold Dark Matter: An Exploded View (1991), a reconstruction of an exploded shed, which now forms part of Tate's collection. Generously illustrated with supporting imagery and installation shots, this book comprises a conversation with the artist and a text on the work's installation in London. Transitional Object (PsychoBarn) will be on display in the courtyard of the Royal Academy of Arts, London, from October 2018 to March 2019.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49568189710609,"sku":"GOR013647896","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52582847447313,"sku":"GOR010754280","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52688078536977,"sku":"NLS9781912520077","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1912520079.jpg?v=1775037078"},{"product_id":"mary-kelly-book-douglas-crimp-9780714836614","title":"Mary Kelly","description":"An in-depthstudy of the artist pivotal to both Conceptual art and feminism.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49570462466321,"sku":"GOR004972311","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52795111080209,"sku":"GOR005506528","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53365833335057,"sku":"GOR014881176","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714836613.jpg?v=1751074197"},{"product_id":"psychoanalysis-in-art-history-book-margaret-iversen-9780631194750","title":"Psychoanalysis in Art History","description":"This special issue of \"Art History\" brings together original essays by leading scholars in the field of art history and psychoanalysis. Some of the contributors, such as Whitney Davis, Griselda Pollock and Neil Cox, integrate detailed historical\/archival research with a psychoanalytic interest in the material. Other contributors, like Mark Cousins, Briony Fer and Margaret Iversen, focus on more theoretical and critical issues. All of the contributors, however, are concerned to develop a methodology which does not trivialize psychoanalytic theory by making it the basis for simple psychobiography of the artist or psycho-iconography of the work of art. The specificity of the medium and the complexity of the psychic mediations are always forgrounded. Several of the authors take the same care in their reading of relevant literary or textual material. Another key concern, perhaps not surprising in this context, is in theorizing the psychic investment of the spectator of works of art. This enquiry may have historical, contemporary or personal dimensions.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49572248453393,"sku":"GOR002980013","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0631194754.jpg?v=1751073894"},{"product_id":"still-standing-antony-gormley-at-the-hermitage-book-margaret-iversen-9781906257095","title":"Still Standing: Antony Gormley at the Hermitage","description":"The book is made up of 10 classical sculptures from the Hermitage Museum (mostly Roman and one or two Greek), removed from their plinths and repositioned to share a raised floor with the viewer; and 17 highly abstracted body-forms by Antony Gormley. The idea is to juxtapose ancient, idealized statues with Gormley’s more disinterested sculptures and see whether, in Gormley’s work, the abstract language of Euclidean geometry can make a shelter for feeling, and whether, in the case of the classical works, demounting and putting the viewer on the same level as their original makers can re-establish them as made things. The interaction of the public, captured in documentary photographs, is key to a project that aims to show how classical marbles, Gormley’s own sculptures and the living human visitors inhabit the same space and can converse with each other. All Gormley’s body works are the residue of an action or event of a real body that is absent translated into an abstract architectural language (which in the Hermitage is in acute contrast to the ornate interiors). His work takes the body as a ‘found object’, something already made, as a reflexive object that engages the viewer less as a representation than an acknowledgement of its opposite: the ‘lost subject’.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49576272953617,"sku":"GOR013633527","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1906257094.jpg?v=1751155636"},{"product_id":"beyond-pleasure-book-margaret-iversen-9780271029719","title":"Beyond Pleasure","description":"In Beyond the Pleasure Principle, Freud observed that the life-enhancing pleasure principle seems disrupted by something internal to the psyche. He took into account the possibility of a “death instinct” bent on returning the living organism to its origin of undifferentiated matter. In Beyond Pleasure: Freud, Lacan, Barthes, Margaret Iversen uses the writing of Freud, Lacan, the Surrealists, and Roland Barthes to elaborate a theory of art beyond the pleasure principle. Lacan was in close contact with the Surrealists and, early in his career, exchanged ideas with Dalí. This book offers a detailed reading of Dalí’s “paranoiac-critical” tour de force, The Tragic Myth of Millet’s Angelus, in which he demonstrates a method of interpretation that involves the projection and analysis of paranoid fantasies. The author later discusses the aesthetic dimension of the disintegrative death drive explored in Georges Bataille’s Eroticism and in Anton Ehrenzweig’s Hidden Order of Art, both of which inspired Robert Smithson. Iversen also takes up a postwar-era narrative that examines Maya Lin’s Vietnam Veterans Memorial and Robert Smithson’s Spiral Jetty. Beyond Pleasure shows that the aesthetics of Freud’s theory continue to resonate in the contemporary art world.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49921713406225,"sku":"GOR008720277","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347619287313,"sku":"CIN0271029714G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50633260433681,"sku":"GOR014019169","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0271029714.jpg?v=1751196131"},{"product_id":"chance-book-margaret-iversen-9780262513920","title":"Chance","description":"\u003cp\u003e\u003cb\u003eWhy chance remains a key strategy in artists' investigations into the contemporary world. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe chance situation or random event--whether as a strategy or as a subject of investigation--has been central to many artists' practices across a multiplicity of forms, including expressionism, automatism, the readymade, collage, surrealist and conceptual photography, fluxus event scores, film, audio and video, performance, and participatory artworks. But why--a century after Dada and Surrealism's first systematic enquiries--does chance remain a key strategy in artists' investigations into the contemporary world? The writings in this anthology examine the gap between intention and outcome, showing it to be crucial to the meaning of chance in art. The book provides a new critical context for chance procedures in art since 1900 and aims to answer such questions as why artists deliberately set up such a gap in their practice; what new possibilities this suggests; and why the viewer finds the art so engaging.\u003c\/p\u003e\u003cp\u003eArtists surveyed include Vito Acconci, Bas Jan Ader, Francis Alÿs, William Anastasi, John Baldessari, Walead Beshty, Mark Boyle, George Brecht, Marcel Broodthaers, John Cage, Sophie Calle, Tacita Dean, Stan Douglas, Marcel Duchamp, Brian Eno, Fischli \u0026amp; Weiss, Ceal Floyer, Huang Yong Ping, Douglas Huebler, Allan Kaprow, Alison Knowles, Jiri Kovanda, Jorge Macchi, Christian Marclay, Cildo Meireles, Robert Morris, Bruce Nauman, Yoko Ono, Gabriel Orozco, Cornelia Parker, Robert Rauschenberg, Gerhard Richter, Daniel Spoerri, Wolfgang Tillmans, Keith Tyson, Jennifer West, Ceryth Wyn Evans, La Monte Young Writers include Paul Auster, Jacquelynn Baas, Georges Bataille, Daniel Birnbaum, Claire Bishop, Guy Brett, Benjamin H. 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In \"Writing Art History\", Margaret Iversen and Stephen Melville address these questions by exploring some assumptions at the discipline's foundation. Their project is to excavate the lost continuities between philosophical aesthetics, contemporary theory, and art history through close readings of figures as various as Michael Baxandall, Martin Heidegger, Jacques Lacan, and Alois Riegl. 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This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret Iversen establishes Riegl's relevance to recent critical thinking while clearly delineating his extraordinary critical powers. Iversen contextualizes Riegl's thought among the wider cultural crosscurrents of his time, pointing for example to his denunciation of the sub-Semperians and his profound influence on Walter Benjamin. She is equally concerned to relate Riegl's work to contemporary theoretical interests, arguing that he pioneered an approach to art history that took into consideration the role of the spectator. She devotes a chapter to Riegl's theory of spectator\/depiction relationships, comparing it with more recent writing on the subject by commentators like Fried, Foucault, and others. In a sympathetic reading of Riegl, Iversen interprets his theory of Kunstwollen or artistic volition, as a concept that ran counter to narrowly empiricist and determinist histories of art that were dominant in his time. She provides extended critical commentary on his most important works, Questions of Style, Late Roman Art Industry, and The Dutch Group Portrait, enriched by explorations of the theoretical background of his systematic art history, including the work of Kant, Hegel, Herbart, and Hildebrand. 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