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These two screenwriting essentials are inextricably linked, and in \u003ci\u003eCharacter \u0026amp; Conflict\u003c\/i\u003e, Mark Axelrod reveals how to integrate them in a new and refreshing way.\u003c\/p\u003e \u003cp\u003eStarting with general principles, \u003ci\u003eCharacter \u0026amp; Conflict\u003c\/i\u003etakes you step by step through every aspect of generating compelling characters and gripping conflicts. Alluding to the work of Joseph Campbell and others, Axelrod offers extensive insight into:\u003c\/p\u003e \u003cul\u003e \u003cli\u003ehow a character's arc must progress\u003c\/li\u003e \u003cli\u003ehow conflict shapes and is shaped by character\u003c\/li\u003e \u003cli\u003ehow archetypes facilitate character creation and growth\u003c\/li\u003e \u003cli\u003ehow rites of passage and other plot devices help conflict arise.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eUnlike in other screenwriting texts, whose authors tend to offer brief examples to support their assertions, Axelrod bores deeply into the scripts of such feature films as \u003ci\u003eAmelie\u003c\/i\u003e, \u003ci\u003eGood Will Hunting\u003c\/i\u003e, and \u003ci\u003eDriven\u003c\/i\u003e, revealing how to craft-and how not to craft-rounded characters as well as the crises that bring them together or set them at odds.\u003c\/p\u003e \u003cp\u003eWith exercises that sharpen the skills of both beginning and advanced writers, examples that pull back the curtains on the writing process, plus Axelrod's theories and experience-honed advice, reading \u003ci\u003eCharacter \u0026amp; Conflict\u003c\/i\u003eis like taking an advanced seminar in screenwriting, without ever having to leave your writing desk.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50095153611025,"sku":"CIN0325006970G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50349970718993,"sku":"CIN0325006970VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0325006970.jpg?v=1751227861"},{"product_id":"big-thoughts-are-free-book-mark-axelrod-9781433128653","title":"Big Thoughts are Free","description":"Big Thoughts Are Free is a biography of the Serbian-born entrepreneur cum politician Milan Panic. 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Discover the chain of restaurants run by Flaubert's researchers Bouvard and Pecuchet; how an iconic fragrance arose from the erectile dysfunction of J.S. Bach; where Octave Mirabeau consummated his masterpiece \u003cem\u003eL'Erotic Biblion\u003c\/em\u003e; General Pinochet and Borges's contretemps involving olive oil; Faulkner's stint tinkering with lawnmowers; Musil's muesli; and other secret histories. A companion to Axelrod's \u003cem\u003eBorges's Travel, Hemingway's Garage \u003c\/em\u003e(FC2), this book is an hilarious parody of literary trivia, a light-hearted satire on the commoditisation of art, and an irresistible, imaginative fancy.\u003c\/p\u003e\u003cp\u003eMark Axelrod is one of my favourite American authors, blackly humorous and insightful, able to work with social and political critique without being in the least bit sanctimonious or pamphletary. Axelrod's writing is a panoply of novel ideas, surprisingly and elating, extremely intelligent. I admire his ability to play, not only with words, but also the baggage of culture, in a style that bridges American and Latin American approaches to literature. -- Luisa Valenzuela\u003c\/p\u003e\u003cp\u003e\u003cem\u003eBorges' Travel, Hemingway's Garage\u003c\/em\u003e is a whimsical collection focused on the imaginary commercial lives of debt-ridden cultural heroes desperate to stave off bankruptcy. 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Malarkey has no respect for things that are politically correct and often runs into problems with the administration if not the local police, while Liliana.  after years of trying to crack the glass ceiling, quits the corporate world and returns to university to pursue her passion: literature.    After a relatively quick relationship they fall in love.  Though they have much in common and they truly love each other, the potential stumbling block for them is her desperation to get pregnant, especially since she has already had a miscarriage not long before her husband died.  Malarkey has already raised a family, and is still ceaselessly harassed by his Brazilian ex and her bevy of blood-sucking barristers, and the thought of starting a family again and potentially leaving Liliana a widow for a second time with a young child, is a major dilemma for him. Try as he might to salvage the relationship, Malarkey eventually loses Liliana because of his multiple impotencies.  Though Malarkey loves Liliana deeply, madly, she eventually breaks it off.   True love may last forever, but eggs do not.   Months after her separation, Liliana meets and marries a Florentine who, in rapid succession, impregnates her with the children she most desires.  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