{"title":"Martin Hammer","description":"\u003cp\u003eDelve into the thought-provoking works of Martin Hammer. His books offer insightful perspectives and engage with complex issues. 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Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer's ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. 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Focussing on the period from the mid 1930s, when Sutherland established his identity as a modern painter to the 1950s, when his influence began to wane, it portrays the types of work that gave rise to a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting.  Two particular strands of his imagery are discussed: the landscapes of Pembrokeshire and the South of France, before and after the Second World War; and the scenes of devastation produced for the War Artists scheme run by Sutherland's great friend Kenneth Clark. The dramatic colour and lighting and the metamorphosis of observed form in his pictures of bombed buildings, tin mines and factory interiors, struck a powerful emotional chord in such traumatic times. The book also includes sections on the early 1920s etchings, which introduced certain fundamentals of his art, and on the initial emergence of his portraiture with the creation of Somerset Maugham in 1949. There are also carefully selected works by other artists, past and present, in whom Sutherland took an interest: such as Blake, Palmer, Nash and Masson.  Published to accompany the major exhibition at Dulwich Picture Gallery in June 2005, this long overdue and much requested book, (there has not been a substantial Sutherland show in London since 1982), comprises eighty oils and works on paper drawn from public and private collections throughout the UK and offers a selective interpretation of his painting rather than the usual career retrospective.  The exhibition opens at Dulwich Picture Gallery on 16th June to 25th September 2005 and will travel to the Djanogly Gallery in Nottingham in the autumn.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49622976364817,"sku":"GOR006377491","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50277303615761,"sku":"GOR011148961","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50907731788049,"sku":"GOR007852724","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1857594045.jpg?v=1751061313"},{"product_id":"my-generation-british-art-in-the-1960s-book-martin-hammer-9781902671901","title":"My Generation: British Art in the 1960s","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736354595089,"sku":"NGR9781902671901","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1902671902.jpg?v=1750866994"},{"product_id":"constructing-modernity-book-martin-hammer-9780300076882","title":"Constructing Modernity","description":"Naum Gabo (1890-1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo's utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructivist movement and the wider tradition of twentieth-century art, and they examine Gabo's accomplishments in each of the diverse milieus in which he worked.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50347961581841,"sku":"CIN0300076886G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52962075050257,"sku":"GOR014670600","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52975955378449,"sku":"GOR006937042","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300076886.jpg?v=1751291644"},{"product_id":"bacon-and-sutherland-book-martin-hammer-9780300107968","title":"Bacon and Sutherland","description":"Both Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer’s starting points are the strong stylistic and thematic affinities between Bacon’s and Sutherland’s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists’ relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War.  How did these two artists engage with international modernism when much English art was narrowly insular and “patriotic?” In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists.    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