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The one hundred poems and fragments in this volume are almost all that remains of the legendary poet Sappho. Yet in Mary Barnard’s unparalleled, immensely moving translation, the spirit of Sappho comes alive.  As Melissa Mueller describes in the new introduction to this classic translation, to encounter Sappho in the distinctly original voice of Barnard is to encounter her anew. A respected poet in her own right, Barnard wove these fragments into a compellingly cohesive collection that follows a woman’s life journey. Intimate and incisive, these verses hold a playfulness that allows Sappho’s voice to reverberate into the present.  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Born in the Pacific Northwest, Mary Barnard (1909–2001) struck up correspondence with Ezra Pound in 1933, won Poetry magazine's prestigious Levinson Award in 1935, and moved to New York City the following year. There she met Marianne Moore and William Carlos Williams, who proclaimed her writing emblematic of \"what we have been about all these years.\" This fully annotated volume makes available Barnard's complete poems for the first time, along with a robust selection of her translations and prose. Most well-known for her bestselling Sappho and her influential role as the inaugural poetry curator at the University at Buffalo, Barnard was a \"second-wave\" modernist and \"late\" Imagist whose regionally grounded writing also anticipated later eco-poetry. The volume's editor, Barnard scholar and biographer Sarah Barnsley, situates Barnard's work within these broader literary and cultural currents. Previously unpublished poems appear alongside Barnard's essays on her creative practice and friendships, illuminating the career, oeuvre, and ethos of this pivotal yet still underappreciated twentieth-century figure. With a foreword by Mary de Rachewiltz (author of Ezra Pound, Father and Teacher) and afterword by Barnard's literary executor Elizabeth J. 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