{"title":"Meg Twycross","description":"","products":[{"product_id":"medieval-english-theatre-43-book-meg-twycross-9781843846307","title":"Medieval English Theatre 43","description":"The ludic element of drama in the Middle Ages - or drama with early subject matter - is here to the fore.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744971989265,"sku":"NGR9781843846307","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51055244706065,"sku":"NIN9781843846307","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843846306.jpg?v=1751185483"},{"product_id":"medieval-english-theatre-45-book-meg-twycross-9781843847199","title":"Medieval English Theatre 45","description":"Newest research into drama and performance from the Middle Ages and the Tudor period.    Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.   This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke, in the Westminster Tournament Roll. Complementing the assessment of the documentary evidence for his employment in our last volume, it uncovers the surprising complexity of how Islamic dress was represented at the court of Henry VIII. Two essays engage with the challenging Croxton Play of the Sacrament, discussing very different issues of bodily integrity. The first revealingly brings together medieval and posthumanist theory, proposing how in performance the play can move to obliterate the distinction between Jewish and Christian bodies. The second considers the play in the light of modern disability theory, before examining the often contrasting evidence of lives lived, and performances informed, by actual disabled performers.    The final contributions focus on twentieth- and twenty-first-century performances of medieval material, and how it can be adapted for later times and sensibilities. Investigation of an almost unknown 1924 London performance of a fifteenth-century French nativity play reveals much about early twentieth-century views of medieval drama. Meanwhile, the 2023 coronation of King Charles III prompts an analysis of a spectacular ceremony balanced between asserting its medieval origins and demonstrating its modern relevance. Finally, a review of a story-telling performance assesses how the problematic material of The Seven Sages of Rome might be addressed to modern audiences and preoccupations.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49750870491409,"sku":"NGR9781843847199","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51054716322065,"sku":"NIN9781843847199","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530772345105,"sku":"NLS9781843847199","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843847191.jpg?v=1750834009"},{"product_id":"festive-drama-book-meg-twycross-9780859914963","title":"Festive Drama","description":"Festive drama, in these studies, includes processions and folk-customs as well as full-blown plays, from Spain, the Netherlands, France, Germany, Britain, Denmark, and Bohemia (now the Czech Republic). The main focus is the middleages, but style and approach are as relevant as time-scale, reflecting a culture in which there are no firm divisions between drama and pageantry and traditional ceremonies. Common themes emerge: the world turned upside-down of Shrovetide; the emotive power of religious celebration; and the links between commerce and the demonstration of civic pride. Festive customs are viewed as hidden agendas of popular culture, and performances are reconstructed. Thisis the obverse of art and power: the means by which the people, not the princes, rule the world. Professor MEG TWYCROS teaches at the Department of English at Lancaster University. Contributors: PETER H. GRENFIELD, OLGA HORNER, SHEILA LINDENBAUM, CLAIRE SPONSLER, RONALD E. SURTZ, RAFAEL PORTILO, MANUEL J. GOMEZ LARA, PAMELA M. KING, ROBERT POTER, JOHN CARTWRIGHT, DAVID MILS, JAMES STOKES, ALAN E. KNIGHT, MARJOKE DE ROS, FEMKE KRAMER, TOM PETIT, LEIF SNDERGARD, WIM H SKEN, JEAN-MARC PASTR  , SALY-BETH MACLEAN, MALCOLM JONES, CHRISTINE RICHARDSON, JARMILA F. VELTRUSKY, JOHN COLDEWEY.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50636517998865,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50636518064401,"sku":"GOR014020220","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52130333458705,"sku":"NLS9780859914963","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0859914968.jpg?v=1750787170"},{"product_id":"medieval-english-theatre-44-book-meg-twycross-9781843846499","title":"Medieval English Theatre 44","description":"Newest research into drama and performance of the Middle Ages and Tudor period.  Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays , and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.  The papers in this volume explore richly interlocking topics. Themes of royalty and play continue from Volume 43. We have the first in-depth examination of the employment of the now-famous Black Tudor trumpeter, John Blanke, at the royal courts of Henry VII and Henry VIII. An entertaining survey of the popular European game of blanket-tossing accompanies the translation of a raucous, sophisticated, but surprisingly humane Dutch rederijkers farce. The Towneley plays remain fertile ground for further research, and this blanket-tossing farce illuminates a key scene of the well-known Second Shepherd's Play. New exploration of a colloquial reference to 'Stafford Blue' in another Towneley pageant, Noah, not only enlivens the play's social context but contributes to important current re-thinking of the manuscript's date. Two papers bring home the theatrical potential of food and eating. We learn how the Tudor interlude Jacob and Esau dramatises the preparation and provision of food from the Genesis story. Serving and eating meals becomes a means of social, theological, and theatrical manipulation. Contrastingly, in the N. Town Last Supper play and a French convent drama, we see how the bread of Passover, the Last Supper, and the Mass could be evoked, layered and shared in performance. 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