{"title":"Molly Youngkin","description":null,"products":[{"product_id":"british-women-writers-and-the-reception-of-ancient-egypt-1840-1910-book-molly-youngkin-9781137570765","title":"British Women Writers and the Reception of Ancient Egypt, 1840-1910","description":"Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49731004694801,"sku":"NGR9781137570765","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52539227635985,"sku":"NLS9781137570765","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1137570768.jpg?v=1751335032"},{"product_id":"feminist-realism-at-the-fin-de-siecle-book-molly-youngkin-9780814257678","title":"Feminist Realism at the Fin de Siecle","description":"\u003cdiv\u003eMolly Youngkin takes on a major literary problem of the turn-of-the-century: Was the transition from the Victorian novel to the modern novel enabled by antirealist or realist narrative strategies? To answer this question, Youngkin analyzes book reviews that appeared in two prominent feminist periodicals circulated during the late-Victorian era--\u003ci\u003eShafts\u003c\/i\u003e and \u003ci\u003eThe Woman's Herald\u003c\/i\u003e.   Through reviews of the works of important male and female authors of the decade--Thomas Hardy, Sarah Grand, George Gissing, Mona Caird, George Meredith, Ménie Dowie, George Moore, and Henrietta Stannard--these periodicals developed a feminist realist aesthetic that drew on three aspects of woman's agency (consciousness, spoken word, and action) and emphasized corresponding narrative strategies (internal perspective, dialogue, and description of characters' actions). Still, these periodicals privileged consciousness over spoken word and action and, by doing so, encouraged authors to push the boundaries of traditional realism and anticipate the modernist aesthetic.   By acknowledging the role of the woman's press in the development of the novel, this book revises our understanding of the transition from Victorianism to modernism, which often is characterized as antirealist. Late-Victorian authors working within the realist tradition also contributed to this transition, particularly through their engagement with feminist realism. Youngkin deftly illustrates this transition and in so doing proves that it cannot be attributed to antirealist narrative strategies alone. Molly Youngkin takes on a major literary problem of the turn-of-the-century: Was the transition from the Victorian novel to the modern novel enabled by antirealist or realist narrative strategies? To answer this question, Youngkin analyzes book reviews that appeared in two prominent feminist periodicals circulated during the late-Victorian era--\u003ci\u003eShafts\u003c\/i\u003e and \u003ci\u003eThe Woman's Herald\u003c\/i\u003e.   Through reviews of the works of important male and female authors of the decade--Thomas Hardy, Sarah Grand, George Gissing, Mona Caird, George Meredith, Ménie Dowie, George Moore, and Henrietta Stannard--these periodicals developed a feminist realist aesthetic that drew on three aspects of woman's agency (consciousness, spoken word, and action) and emphasized corresponding narrative strategies (internal perspective, dialogue, and description of characters' actions). Still, these periodicals privileged consciousness over spoken word and action and, by doing so, encouraged authors to push the boundaries of traditional realism and anticipate the modernist aesthetic.   By acknowledging the role of the woman's press in the development of the novel, this book revises our understanding of the transition from Victorianism to modernism, which often is characterized as antirealist. Late-Victorian authors working within the realist tradition also contributed to this transition, particularly through their engagement with feminist realism. Youngkin deftly illustrates this transition and in so doing proves that it cannot be attributed to antirealist narrative strategies alone.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51274518266129,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51274520625425,"sku":"NIN9780814257678","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52434658263313,"sku":"NLS9780814257678","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814257674.jpg?v=1750786171"},{"product_id":"british-women-writers-and-the-reception-of-ancient-egypt-1840-1910-book-molly-youngkin-9781349555208","title":"British Women Writers and the Reception of Ancient Egypt, 1840-1910","description":"Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52138347233553,"sku":"NLS9781349555208","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52748185338129,"sku":"NIN9781349555208","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781349555208.jpg?v=1757562217"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-molly-youngkin.oembed","provider":"World of Books ","version":"1.0","type":"link"}