{"title":"Morton D Paley","description":null,"products":[{"product_id":"william-blake-book-morton-d-paley-9780714817675","title":"William Blake","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49507473195281,"sku":"GOR005637055","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714817678.jpg?v=1750913208"},{"product_id":"william-blake-book-morton-d-paley-9780907853510","title":"William Blake","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49530058375441,"sku":"GOR006019057","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50162718441745,"sku":"GOR006123948","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/090785351X.jpg?v=1751203271"},{"product_id":"apocalyptic-sublime-book-morton-d-paley-9780300036749","title":"The Apocalyptic Sublime","description":null,"brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50006320283921,"sku":"GOR010800302","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52599294427409,"sku":"GOR010622013","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300036744.jpg?v=1751389910"},{"product_id":"samuel-taylor-coleridge-and-the-fine-arts-book-morton-d-paley-9780199233052","title":"Samuel Taylor Coleridge and the Fine Arts","description":"Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before.  Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures \u0026amp; Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.'  In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.'  Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. 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Blake's Dante water colours and engravings are the most ambitious accomplishment of the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blake's own divided and sharply polarized attitude toward Dante's Comedy.   The closing chapter, called 'Blake's Bible', is on the Bible-related designs and writings of Blake's last years. Paley discusses The Death of Abel (addressed to Lord Byron 'in the Wilderness') as a response to its literary forerunners, especially Gessner's Death of Abel and Byron's Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blake's Job water colours on the same subjects. Also included here are Blake's last pictorial work on a Biblical subject, The Genesis manuscript, and Blake's last writing on a Biblical text, his vitriolic comments on Thornton's translations of the Lord's Prayer.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51116505071889,"sku":"NIN9780199227617","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52131328557329,"sku":"NLS9780199227617","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0199227616.jpg?v=1750779668"},{"product_id":"apocalypse-and-millennium-in-english-romantic-poetry-book-morton-d-paley-9780199262175","title":"Apocalypse and Millennium in English Romantic Poetry","description":"The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. 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Blake's Dante water colours and engravings are the most ambitious accomplishment of the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blake's own divided and sharply polarized attitude toward Dante's Comedy.  The closing chapter, called 'Blake's Bible', is on the Bible-related designs and writings of Blake's last years. Paley discusses The Death of Abel (addressed to Lord Byron 'in the Wilderness') as a response to its literary forerunners, especially Gessner's Death of Abel and Byron's Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blake's Job water colours on the same subjects. 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