{"title":"Nancy Schoenberger","description":"\u003cp\u003eExplore the evocative poetry and prose of Nancy Schoenberger. Delve into themes of memory, landscape, and the American South, crafted with lyrical precision. Perfect for readers who appreciate rich imagery.\u003c\/p\u003e","products":[{"product_id":"dangerous-muse-book-nancy-schoenberger-9780385489799","title":"Dangerous Muse","description":"You can see her dark-eyed beauty in photos by Walker Evans, and her bewitching figure in paintings by Lucian Freud. She is the mermaid of whom poet Robert Lowell writes in The Dolphin (and he was clutching her portrait when he died). She was Lady Caroline Blackwood, legendarily witty and alluring but also a legendary drunk. Raised an heiress to the Guinness fortune, Blackwood (1931-1996) moved easily among the aristocracy, the bohemians of postwar England and the liberal intelligentsia of 1960s New York. 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The genre they defined--the Western--and the heroic archetype they built still matter today.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John Duke Wayne was a mere stagehand and bit player in B Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in \u003ci\u003eStagecoach\u003c\/i\u003e, and from there the two men established a close, often turbulent relationship.\u003cbr\u003e Their most productive years saw the release of one iconic film after another: \u003ci\u003eRio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance\u003c\/i\u003e. 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