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In this deeply researched account of the rescue of the slave Jane Johnson by the Philadelphia Quaker and fervent abolitionist Passmore Williamson, of the federal court case that followed, and of Johnson's selfless efforts to free the jailed Williamson, veteran journalist Nat Brandt and Emmy-winning filmmaker Yanna Kroyt Brandt capture the heroism and humanity at the heart of this important moment in American history. In July 1855 Williamson and his colleague, William Still, responded to a written plea from Johnson and rushed to the Camden ferry dock to liberate her and her two children from their master in a daring confrontation. Unbeknownst to the abolitionists, Johnson's owner, Col. John Hill Wheeler, was connected to the highest levels of government and was a personal friend of President Franklin Pierce. As a result, Wheeler was able to have Williamson arrested and confined to Moyamensing Prison, an institution notorious for harboring Philadelphia's worst criminals. 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Encompassing acts of brazen defiance, heroic self-sacrifice, high courtroom drama, and the rise of a cult of celebrity, the Brandts' brisk narrative takes readers into the lives of the central participants in this complex episode. 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Kroyt...stopped playing and started singing a Russian song...Mischa Schneider thereupon performed a number of stupendous triads on his cello...Only Roisman went quietly on with his part, untouched by the pandemonium around him, playing Beethoven with his noble tone and elegant bowing. Here were four men with personalities as varied as their ways of playing. 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We follow them to America, where they become the country's first quartet-in-residence at the Library of Congress, where they record the Mozart quintet with guest clarinetist, the King of Swing himself, Benny Goodman, and where, in 1957, they become the first chamber music ensemble to appear on television, bringing Debussy, Dvorak, and the Beethoven E minor into the homes of hundreds of thousands of spellbound viewers.\u003cbr\u003e Here too is a personal glimpse of the Quartet: in rehearsal, shouting at each other in Russian and German, bows in hands like rapiers, to make a point in their arguments before they decide matters by a vote; in their hotel rooms, obsessively playing bridge to relieve the stress of a rigorous concert schedule; in concert, abruptly stopping in the middle of a piece because an audience has become noisy; and at home, spending time with their family and friends. 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