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Gardner, a trail-blazing American who was among the most prominent patrons of her day, built a Venetian-inspired palazzo in Boston to share her exquisite and thought-provoking art objects from diverse cultures and eras. She hosted luminaries in the worlds of music, dance, and literature, and supported such famed artists as Henry James and John Singer Sargent. The authors look at masterpieces by Botticelli, Rembrandt, Titian, and others, as well as hidden treasures, including decorative arts, correspondence, and photographs. Rather than positioning the museum simply as a historical gem, they present it as a site for forging connections between past and present and reinforcing the founder’s legacy of sustaining contemporary art, music, and education. Featuring all-new photography, the book captures the uniqueness of this museum, helping us consider anew what the museum meant in Gardner’s time and what it means in ours.  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But her life and work remains shrouded in myth. Separating fiction and fact, this book paints an unforgettable portrait of Gardner, drawing on her substantial personal archive and including previously unpublished findings to offer new perspectives on her life and her construction of identity.  Nathaniel Silver and Diana Seave Greenwald shed new light on Gardner's connections to minority communities in Boston, her views on suffrage and other issues of the day, the sources of her and her husband’s wealth, and her ties to politicians, writers, and artists. What emerges is a multifaceted portrait of a trailblazing collector and patron of the arts—from Italian Renaissance paintings to Chinese antiquities—who built a museum unprecedented in its curatorial vision.  Beautifully illustrated, this book challenges any portrayal of Gardner as a straightforward feminist hero, revealing instead an exceptional, complex woman who created a legendary museum and played a vibrant and influential role in the art world.  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Fra Angelico (c. 1395–1455) transformed painting in Florence with pioneering images, rethinking popular compositions and investing traditional Christian subjects with new meaning. His altarpieces and frescoes set new standards for quality and ingenuity, contributing to Angelico’s unparalleled fame on the Italian peninsula. With the intellect of a Dominican theologian, the technical facility of Florence’s fi nest craftsmen and the business acumen of its shrewdest merchants, he shaped the future of painting in Italy and beyond.   The exhibition reunites for the fi rst time Fra Angelico’s four reliquaries for Santa Maria Novella (1424-34; Isabella Stewart Gardner Museum and Museo di San Marco, Florence). Together they cover key episodes in the life of the Virgin Mary and capture in miniature some of his most important compositional innovations. Assembled at the Gardner with exceptional examples of Angelico’s narrative paintings from collections in Europe and the United States, this exhibition explores his celebrated talents as a storyteller and the artistic contributions that shaped a new ideal of painting in Florence.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50858791665937,"sku":"GOR009788794","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51201489961233,"sku":"NGR9781911300397","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1911300393.jpg?v=1751218265"},{"product_id":"boston-s-apollo-book-nathaniel-silver-9780300249866","title":"Boston's Apollo","description":"The story of the extraordinary collaboration behind one of John Singer Sargent’s renowned late masterpieces   In 1916, John Singer Sargent (1856–1925) met Thomas Eugene McKeller (1890–1962), a young African American elevator attendant, at Boston’s Hotel Vendome. McKeller became the principal model for Sargent’s murals in the new wing of the city’s Museum of Fine Arts, among the painter’s most ambitious works. Sargent’s nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent’s iconic American paintings. Essays offer the first biography of McKeller and a window onto African American life in early-20th-century Boston. They also address the artist’s sexuality, his models, and questions of race and identity.  Distributed for the Isabella Stewart Gardner Museum  Exhibition Schedule:  Isabella Stewart Gardner Museum, Boston  (February 13–October 12, 2020)","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":51134370775313,"sku":"CIN0300249861G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300249861.jpg?v=1751102226"},{"product_id":"raphael-and-the-pope-s-librarian-book-nathaniel-silver-9781911300762","title":"Raphael and the Pope's Librarian","description":"Published in commemoration of the 500th anniversary of Raphael's death, this engrossing publication accompanies an exhibition the Isabella Stewart Gardner Museum. Raphael and the Pope's Librarian brings together for the first time one of the most fascinating works in the museum's collection - the Gardner Museum's portrait of papal librarian Tommaso Inghirami - and a painting from the Vatican Museums depicting an episode in this life. This book tells the story of the first Raphael in America and explores Inghirami's fascinating career. Nearly five centuries after his death in 1520, Raphael's fame remains undiminished. Crowned prince of painters by Giorgio Vasari, he inspired both artists of his own time and others for centuries afterward. According to the celebrated writer Henry James, Raphael's work was semi-sacred. Gilded Age American collectors swooned over his iconic religious images and masterly brushwork, and James's contemporaries feverishly tried and failed to acquire Raphael's rare paintings in a market flooded with copies, and the occasional forgery. Isabella Stewart Gardner took up the challenge, determined to buy a magnificent Madonna by Raphael. Following her gripping hunt, Gardner was the first collector to bring a work by Raphael to America, where its unexpected subject led to a mixed reception and generated surprising rumors in the years to follow. Despite any hesitations over the painting's beauty, Gardner named an entire gallery of her new Boston museum after the Renaissance master and installed many of her most celebrated works of art around his portrait of the rotund cleric Tommaso Inghirami. Described by Erasmus as the Cicero of our era, Inghirami was a celebrity in the high Renaissance esteemed for his profound erudition and theatrical abilities. His unparalleled knowledge and understanding of classics made him the ideal choice for Vatican Librarian under Pope Julius II. Yet he achieved a lasting fame on stage, playing a leading role in the revival of ancient theatre and acquiring the nickname Fedra after starring as the lovesick Queen Athens in Seneca's Greek tragedy Hippolytus (Phaedra). Inghirami's friend Raphael offered him another role, recasting the Renaissance humanist as the congenial philosopher Epicurius in his legendary School of Athens fresco before memorializing him in the more worldly painted portrait at the center of this exhibition. Raphael and the Pope's Librarian is the latest in the Close Up series of books accompanying a Gardner exhibition series, each installment of which sheds new light on an outstanding work of art in the permanent collection.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51331709862161,"sku":"CIN1911300768VG","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1911300768.jpg?v=1751093005"},{"product_id":"rembrandt-s-self-portrait-book-nathaniel-silver-9781917976053","title":"Rembrandt's Self-Portrait","description":"An in-depth exploration of the Isabella Stewart Gardner Museum’s Self-Portrait, Age 23 (1629) by Rembrandt.  This book will be an in-depth examination of the Isabella Stewart Gardner Museum’s Rembrandt Self-Portrait, Age 23 (1629). It will highlight one of the most important paintings in the Museum’s collection during its moment at the centre of a major season exhibition. It will accompany the exhibition The Book of Esther in the Age of Rembrandt (co-organised by The Jewish Museum and the North Carolina Museum of Art) at the Isabella Stewart Gardner Museum (August 6 2026 –January 18, 2027) which includes the Self-Portrait, the only work by Rembrandt not stolen from the Museum in 1990.  Nathaniel Silver will explore Isabella Stewart Gardner’s taste for Rembrandt and the acquisition of this painting as a turning point in her collecting. He will also contribute an extended catalogue entry, placing it within Rembrandt’s practice of self-portraiture throughout his career.  Conservator Lucia Bay will address Rembrandt’s technique, focusing on select details.   Exhibition Schedule   Isabella Stewart Gardner Museum  6 August 2026–18 January 2027  Published by Paul Holberton Publishing\/Distributed by Yale University Press","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52877650002193,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52877650526481,"sku":"NGR9781917976053","price":0.0,"currency_code":"GBP","in_stock":true}]}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-nathaniel-silver.oembed","provider":"World of Books ","version":"1.0","type":"link"}