{"title":"Neil Archer","description":null,"products":[{"product_id":"studying-hot-fuzz-book-neil-archer-9780993238406","title":"Studying Hot Fuzz","description":"Neil Archer considers to what extent a modestly funded film such as this can be considered 'British' at all","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50412344639761,"sku":"GOR009571115","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0993238408.jpg?v=1751109949"},{"product_id":"social-network-book-neil-archer-9780367753115","title":"The Social Network","description":"This in-depth study of one of the twenty-first century’s most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin’s film to the understanding of ‘youth’ in a contemporary, digital age.   The book starts by situating The Social Network within the contexts of ‘youth film’, arguing that it challenges and reshapes the boundaries of this genre by rethinking the notion of ‘youth’ itself in the present century. It goes on to consider in detail the aesthetics at work in the film, arguing for its critical and reflexive use of an ‘accelerated’ audio-visual style, in order to capture both the new visual regimes of the personal computer era, and the ethical and intellectual ambiguities of Facebook itself as a creation. Finally, it locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook’s emerging, paradoxical identity as at once the epitome of ‘hacker’ culture and also a multi-billion-dollar global company.  Reframing the meaning of youth cinema, this volume in the Cinema and Youth Culture series is ideal for students, researchers and scholars of cinema studies, youth culture and digital cultures.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698843848977,"sku":"NGR9780367753115","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52334875640081,"sku":"NLS9780367753115","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53689220628753,"sku":"NIN9780367753115","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0367753111.jpg?v=1751165809"},{"product_id":"cinema-and-brexit-book-neil-archer-9781501351334","title":"Cinema and Brexit","description":"Neil Archer’s original study makes a timely and politically-engaged intervention in debates about national cinema and national identity. Structured around key examples of ‘culturally English cinema’ in the years up to and following the UK’s 2016 vote to leave the European Union, Cinema and Brexit looks to make sense of the peculiarities and paradoxes marking this era of filmmaking. At the same time as providing a contextual and analytical reading of 21st century filmmaking in Britain, Archer raises critical questions about popular national cinema, and how Brexit has cast both light and shadow over this body of films. Central to Archer’s argument is the idea that Brexit represents not just a critical moment in how we will understand future film production, but also in how we will understand production of the recent past. Using as a point of departure the London Olympics opening ceremony of 2012, Cinema and Brexit considers the tensions inherent in a wide range of films, including Skyfall (2012), Dunkirk (2017), Their Finest (2017), Darkest Hour (2017), The Crown (Netflix, 2016), Paddington (2014), Paddington 2 (2017), Never Let Me Go (2011), Absolutely Fabulous: The Movie (2016), The Trip (2010), The Inbetweeners Movie (2011), Mr. Bean’s Holiday (2007), The World’s End (2013), Sightseers (2012), One Day (2011), Attack the Block (2011), King Arthur: Legend of the Sword (2017) and The Kid Who Would be King (2019). Archer examines the complex national narratives and representations these films expound, situating his analyses within the broader commercial contexts of film production beyond Hollywood, highlighting the negotiations or contradictions at play between the industrial imperatives of contemporary films and the varied circumstances in which they are made.  Considering some of the ways a popular and globally-minded English cinema is finding means to work alongside and through the contexts of Brexit, he questions what are the stakes for, and possibilities of, a global ‘culturally English cinema’ in 2019 and beyond.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51088412115217,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51088415031569,"sku":"NIN9781501351334","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52143330361617,"sku":"NLS9781501351334","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501351338.jpg?v=1770718236"},{"product_id":"social-network-book-neil-archer-9780367753108","title":"The Social Network","description":"This in-depth study of one of the twenty-first century’s most acclaimed films, The Social Network: Youth Film 2.0 considers the contribution of David Fincher and Aaron Sorkin’s film to the understanding of ‘youth’ in a contemporary, digital age.   The book starts by situating The Social Network within the contexts of ‘youth film’, arguing that it challenges and reshapes the boundaries of this genre by rethinking the notion of ‘youth’ itself in the present century. It goes on to consider in detail the aesthetics at work in the film, arguing for its critical and reflexive use of an ‘accelerated’ audio-visual style, in order to capture both the new visual regimes of the personal computer era, and the ethical and intellectual ambiguities of Facebook itself as a creation. Finally, it locates the film within the broader visual styles and fashion codes of a late twentieth- and early twenty-first-century consumer culture that incorporates and commodifies rebellion and dissent: qualities that underpinned Facebook’s emerging, paradoxical identity as at once the epitome of ‘hacker’ culture and also a multi-billion-dollar global company.  Reframing the meaning of youth cinema, this volume in the Cinema and Youth Culture series is ideal for students, researchers and scholars of cinema studies, youth culture and digital cultures.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51184727425297,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51184730177809,"sku":"NIN9780367753108","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52407498080529,"sku":"NLS9780367753108","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0367753103.jpg?v=1751134211"},{"product_id":"road-movie-book-neil-archer-9780231176477","title":"The Road Movie","description":"Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51388123283729,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51388123709713,"sku":"NGR9780231176477","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52389268979985,"sku":"GOR012437474","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52506424246545,"sku":"CIN0231176473VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0231176473_36f7ceac-3f16-4738-9aa3-7ec597c39cf7.jpg?v=1750738682"},{"product_id":"cinema-and-brexit-book-neil-archer-9781350274341","title":"Cinema and Brexit","description":"Neil Archer’s original study makes a timely and politically-engaged intervention in debates about national cinema and national identity. Structured around key examples of ‘culturally English cinema’ in the years up to and following the UK’s 2016 vote to leave the European Union, Cinema and Brexit looks to make sense of the peculiarities and paradoxes marking this era of filmmaking. At the same time as providing a contextual and analytical reading of 21st century filmmaking in Britain, Archer raises critical questions about popular national cinema, and how Brexit has cast both light and shadow over this body of films. Central to Archer’s argument is the idea that Brexit represents not just a critical moment in how we will understand future film production, but also in how we will understand production of the recent past. Using as a point of departure the London Olympics opening ceremony of 2012, Cinema and Brexit considers the tensions inherent in a wide range of films, including Skyfall (2012), Dunkirk (2017), Their Finest (2017), Darkest Hour (2017), The Crown (Netflix, 2016), Paddington (2014), Paddington 2 (2017), Never Let Me Go (2011), Absolutely Fabulous: The Movie (2016), The Trip (2010), The Inbetweeners Movie (2011), Mr. Bean’s Holiday (2007), The World’s End (2013), Sightseers (2012), One Day (2011), Attack the Block (2011), King Arthur: Legend of the Sword (2017) and The Kid Who Would be King (2019). Archer examines the complex national narratives and representations these films expound, situating his analyses within the broader commercial contexts of film production beyond Hollywood, highlighting the negotiations or contradictions at play between the industrial imperatives of contemporary films and the varied circumstances in which they are made.  Considering some of the ways a popular and globally-minded English cinema is finding means to work alongside and through the contexts of Brexit, he questions what are the stakes for, and possibilities of, a global ‘culturally English cinema’ in 2019 and beyond.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52406933192977,"sku":"NLS9781350274341","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350274341.jpg?v=1758770873"},{"product_id":"beyond-a-joke-book-neil-archer-9781350242449","title":"Beyond a Joke","description":"At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the ‘Queen’ hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema?  Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention – from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics’ opening ceremony.  Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which ‘Britishness’, shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52485813174545,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52485814223121,"sku":"NLS9781350242449","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350242449.jpg?v=1759858241"},{"product_id":"beyond-a-joke-book-neil-archer-9781784536633","title":"Beyond a Joke","description":"At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the ‘Queen’ hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema?  Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention – from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics’ opening ceremony.  Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which ‘Britishness’, shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52679753564433,"sku":"NLS9781784536633","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781784536633.jpg?v=1762311355"},{"product_id":"pixar-animation-studios-book-neil-archer-9781399565165","title":"Pixar Animation Studios","description":"\u003ci\u003ePixar Animation Studios: Authorship, Creativity and the Mouse\u003c\/i\u003e explores the role of key themes and aesthetic approaches in Pixar's films, arguing for the importance of Pixar's 'authorship' as a studio to its initial growth, emerging identity and survival. Focusing on several dominant and interweaving themes, including the significance of 'creativity', of innovation and a focus on 'realism', and situating Pixar's work in the history of recent cinema and technologies, the book shows how constructing an idea of artistic distinction in the cinematic marketplace both was and remains crucial to Pixar's enduring success. Combining analysis of Pixar's own in-house narratives, together with detailed case-studies across a range of its films, the book shows what it really means to talk about a 'Pixar film' and why this matters, both to the audience and to the studio itself.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53625104040209,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53625104302353,"sku":"NGR9781399565165","price":0.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-neil-archer.oembed","provider":"World of Books ","version":"1.0","type":"link"}