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Highly recommended.”—N.K. Jemisin, New York Times Book Review  Neil Clarke, publisher of the award-winning Clarkesworld magazine, presents a collection of thought-provoking and galaxy-spanning array of galactic short science fiction.  From E. E. \"Doc\" Smith’s Lensman, to George Lucas’ Star Wars, the politics and process of Empire have been a major subject of science fiction’s galaxy-spanning fictions. The idiom of the Galactic Empire allows science fiction writers to ask (and answer) questions that are shorn of contemporary political ideologies and allegiances. This simple narrative slight of hand allows readers and writers to see questions and answers from new and different perspectives.  The stories in this book do just that. What social, political, and economic issues do the organizing structure of “empire” address? Often the size, shape, and fates of empires are determined not only by individuals, but by geography, natural forces, and technology. As the speed of travel and rates of effective communication increase, so too does the size and reach of an Imperial bureaucracy. Sic itur ad astra—“Thus one journeys to the stars.”  At the beginning of the twentieth century, writers such as Kipling and Twain were at the forefront of these kinds of narrative observations, but as the century drew to a close, it was writers like Iain M. Banks who helped make science fiction relevant. That tradition continues today, with award-winning writers like Ann Leckie, whose 2013 debut novel Ancillary Justice hinges upon questions of imperialism and empire.  Here then is a diverse collection of stories that asks the questions that science fiction asks best. Empire: How? Why? And to what effect?  Table of Contents: - “Winning Peace” by Paul J. 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Snodgrass - “Seven Years from Home” by Naomi Novik - “Verthandi’s Ring” by Ian McDonald  Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. 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First contact with a mysterious race of aliens reveals an unusual request; a family’s pet dog comes to grips with the newly bestowed gift of human-like intelligence; a poet, in danger and alone on a distant world, makes unlikely allies; hundreds of years in the future, a famous hermit lives in the sea above the now-underwater Harvard University; former friends navigate unsteady peace between human refugees and the technologically superior race that saved them; in a future where human life can be infinitely extended through cybertronic rebirth, one woman declines immortality.    For decades, science fiction has compelled us to imagine futures both inspiring and cautionary. Whether it’s a warning message from a survey ship, a harrowing journey to a new world, or the adventures of well-meaning AI, science fiction inspires the imagination and delivers a lens through which we can view ourselves and the world around us. With The Best Science Fiction of the Year: Volume Two, award-winning editor Neil Clarke provides a year-in-review and twenty-seven of the best stories published by both new and established authors in 2016.   TABLE OF CONTENTS   “The Visitor from Taured” by Ian R. MacLeod (Asimov’s, September 2016)   “Extraction Request” by Rich Larson (Clarkesworld, January 2016)   “A Good Home” by Karin Lowachee (Lightspeed, June 2016)  “Prodigal” by Gord Sellar (Analog, December 2016)  “Ten Days” by Nina Allan (Now We Are Ten, edited by Ian Whates)  “Terminal” by Lavie Tidhar (Tor.com, April 2016)  “Panic City” by Madeline Ashby (CyberWorld, edited by Jason Heller and Joshua Viola)  “Last Gods” by Sam J. Miller (Drowned Worlds, edited by Jonathana Strahan)  “HigherWorks” by Gregory Norman Bossert (Asimov’s, December 2016)  “A Strange Loop” by T.R. 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On July 20, 1969, mankind made what had only years earlier seemed like an impossible leap forward: when Apollo 11 became the first manned mission to land on the moon, and Neil Armstrong the first person to step foot on the lunar surface.   While there have only been a handful of new missions since, the fascination with our planet’s satellite continues, and generations of writers and artists have imagined the endless possibilities of lunar life. From adventures in the vast gulf of space between the earth and the moon, to journeys across the light face to the dark side, to the establishment of permanent residences on its surface, science fiction has for decades given readers bold and forward-thinking ideas about our nearest interstellar neighbor and what it might mean to humankind, both now and in our future.  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