{"title":"Nicholas Attfield","description":null,"products":[{"product_id":"lamestains-book-nicholas-attfield-9781789147063","title":"Lamestains","description":"A critical history of independent Seattle rock label Sub Pop.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49750082093329,"sku":"NGR9781789147063","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51285166620945,"sku":"NIN9781789147063","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53616272605457,"sku":"GOR014982989","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1789147069.jpg?v=1751059481"},{"product_id":"challenging-the-modern-book-nicholas-attfield-9780197266137","title":"Challenging the Modern","description":"The Weimar Republic is often seen as an era of progress for the arts, but strands of pessimism and conservatism also developed rapidly. In this cultural atmosphere, music and musical scholarship could provide forms of protest and resistance to modernity. Attfield's concentration on continuity challenges the received historiography of this period.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53233335042321,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53233335140625,"sku":"GOR009219147","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780197266137.jpg?v=1773142932"},{"product_id":"music-modern-culture-and-the-critical-ear-book-nicholas-attfield-9781472476869","title":"Music, Modern Culture, and the Critical Ear","description":"In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":53489912480017,"sku":"NIN9781472476869","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53496469389585,"sku":"NLS9781472476869","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781472476869.jpg?v=1777729780"},{"product_id":"cambridge-companion-to-music-and-fascism-book-nicholas-attfield-9781108733526","title":"The Cambridge Companion to Music and Fascism","description":"The first book in the English language to take a comparative look at the various roles played by all kinds of music and musicians in the fascist regimes of the twentieth century. It provides detailed overviews of musical life in Fascist Italy and Nazi Germany and identifies and challenges some of the stereotypes that became ingrained over the latter half of the twentieth century. Alongside comparative studies drawn from the German and Italian examples, the book presents case studies from a variety of regimes and situations. It analyses and compares numerous aspects of fascism (ideology, thought, practice, policy) in their interfaces with music and musicians across the twentieth century. 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