{"title":"Nikolaus Hirsch","description":null,"products":[{"product_id":"don-t-follow-the-wind-book-nikolaus-hirsch-9783956795688","title":"Don't Follow the Wind","description":"\u003cb\u003eDocumenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone.\u003cbr\u003e  \u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e The twelfth volume of the Critical Spatial Practices series focuses on \"Don't Follow the Wind,\" the acclaimed collaborative project situated in Fukushima's radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible?\u003cbr\u003e  \u003cbr\u003e The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public--the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades--a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers.\u003cbr\u003e  \u003cbr\u003e This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don't Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva \u0026amp; Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch \u0026amp; Jorge Otero-Pailos, Meiro Koizumi, Eva \u0026amp; Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49599019286801,"sku":"GOR013636617","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51333526716689,"sku":"CIN3956795687G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3956795687.jpg?v=1751317865"},{"product_id":"flaca-tom-humphreys-book-nikolaus-hirsch-9781934105788","title":"Flaca \/ Tom Humphreys","description":"\u003cp\u003eEmerging from the eponymous exhibition at Portikus in Frankfurt am Main, \u003ci\u003eFlaca \/ Tom Humphreys\u003c\/i\u003e reflects on the London exhibition space, Flaca, that Tom Humphreys organized between 2003 and 2007. Humphreys developed an exhibition that made no pretense to offer an illustrative or historically accurate representation of his activities at the time, instead turning the space into a distorted double set in the present. Humphreys is interested in questioning the activities of that time; some of the artists he invited for this exhibition, for instance, never showed at Flaca. As Christian Egger writes in the catalogue: Exhibiting there often meant that you could look with a fresh eye at the first solo shows in London of artists you'd only just seen at Flaca, and that was all really quite exciting, as though you were experiencing a little bit of what the mobile phone you'd brought along had gone through when you first scared it by charging it with island juice, there was somehow a different energy--a flirtation with malfunction. The catalogue compliments the energetic, engaged style embodied by both Flaca and the reflective exhibition.\u003c\/p\u003e\u003cp\u003eCo-published with Portikus\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors\u003cbr\u003e\u003c\/b\u003eThomas Bayrle, Christian Egger, Nikolaus Hirsch, Sophie von Olfers\u003cbr\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49961101099281,"sku":"NGR9781934105788","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1934105783.jpg?v=1751414112"},{"product_id":"cybermohalla-hub-book-nikolaus-hirsch-9781934105801","title":"Cybermohalla Hub","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49961120137489,"sku":"NGR9781934105801","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1934105805.jpg?v=1750901081"},{"product_id":"gwangju-folly-ii-book-hans-ulrich-obrist-9783775735537","title":"Gwangju Folly II","description":"Throughout history, follies have been used as a provocation, a frivolous diversion or strategic place of madness and satire freed from the constraints of societal norms. This volume documents a series of eight newly commissioned follies forging links between everyday uses and political practice.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50754839970065,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50754840330513,"sku":"GOR014059381","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3775735534.jpg?v=1750999623"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-nikolaus-hirsch.oembed","provider":"World of Books ","version":"1.0","type":"link"}