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Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women’s contributions.   White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around ‘I’ (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. 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By using the relationship between viewers and films as a lens through which students can explore the historical, cultural, and financial issues surrounding the cinema, The Film Experience consciously allows for interpretive strategies beyond formalist analysis. As a result, the book enables students to extract a broad range of complex meanings from the films they watch. Combining these multiple approaches with a fresh, accessible writing style, The Film Experience offers a unique, innovative way to introduce students to film, giving them the technical vocabulary, cultural and historical background, and critical and analytical tools they need for serious film study. 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The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators.   Contributors. 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