{"title":"Paul G Pickowicz","description":null,"products":[{"product_id":"locating-taiwan-cinema-in-the-twenty-first-century-book-paul-g-pickowicz-9781621965459","title":"Locating Taiwan Cinema in the Twenty-First Century","description":"\u003cp\u003e\u003cstrong\u003eThis book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania).\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e*Includes images.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwenty-first-century Taiwan has been evolving in fascinating and complicated ways, in terms of culture, economy, politics, and society. This has led to renewed tensions in relations between the government of mainland China and various camps in Taiwan. In Taiwan, these tensions often focus on issues of identity. Who are the Taiwanese? How are the Taiwanese different from regional and global communities? How are the Taiwanese connected to these communities? Business leaders, factory workers, farmers, and migrants have their opinions. Cultural producers, including filmmakers and pop musicians, offer unique perspectives. Political parties, functioning in a democratic environment, fiercely debate these issues. Remarkably diverse ethnic groups contribute to this ongoing dialogue. This complex twenty-first-century debate in Taiwan is a politically healthy one that takes place both on and off screen.\u003c\/p\u003e\u003cp\u003eThere has been much discussion of New Wave Taiwan cinema of the 1980s and 1990s, including research that studies the pathbreaking contributions of acclaimed directors like Hou Hsiao-hsien. This book updates the scholarship on Taiwan cinema by taking it into the twenty-first century. It is the first book to take a multidisciplinary approach to evaluating recent Taiwan films. The authors are specialists in cultural studies, history, and the social sciences, and they use different film materials and methodologies to analyze the ways in which filmmakers deal with the evolution of Taiwan's society, economy, and culture in the new century. The emphasis is placed on the diversity of approaches that characterize recent Taiwan cinema. Taiwanese filmmakers use many forms and genres to tackle pressing issues. In sharp contrast to the late-twentieth-century New Wave filmmakers who were widely regarded as producing art films that had little impact on the domestic market, many recent Taiwan films have enjoyed huge commercial success in Taiwan.\u003c\/p\u003e\u003cp\u003eThis book probes many crucial controversies: What are Taiwan's meaningful cultural and historical connections to Japan? How do Taiwanese filmmakers and audiences feel about mainland China? How does Taiwan cinema deal with environmental issues, animal rights, human trafficking, sexuality, and the challenges facing ethnic minorities?\u003c\/p\u003e\u003cp\u003e\u003cem\u003eLocating Twenty-First-Century Taiwan Cinema\u003c\/em\u003e is an important book for collections in Asian studies, film studies, and the social sciences.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":51157337047313,"sku":"NGR9781621965459","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52669568712977,"sku":"NLS9781621965459","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52752180183313,"sku":"NIN9781621965459","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1621965457.jpg?v=1751343182"},{"product_id":"from-underground-to-independent-book-paul-g-pickowicz-9780742554382","title":"From Underground to Independent","description":"This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different-at times contradictory-configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents. Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. 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The authors explore two areas that are of special interest to China studies and film studies, respectively: (1) filming the everyday in twenty-first-century China to foreground contestation and diversity and (2) exploring the aesthetic of remembering in an embodied documentary practice, which turns the gaze on artists themselves and encourages the viewer's engagement with the filmed subjects and environment. Highlighting documentary contestation in China, the book traces its cacophony of expressions, some of it featuring confrontations with domineering elites, some of it highlighting negotiations among the independent filmmakers themselves. Their goal is not a movement that seeks to establish and impose a single truth, but rather a creative dynamic that fosters a community of tolerance and respects diverse forms of expression. 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