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Rimbaud, the boy with whom Verlaine had had his infamous affair, Mallarme, and Verlaine himself need little introduction; figures such as Tristan Corbiere and Jules Laforge, a major influence on the poetry of T.S. Eliot, were lesser known at the time, but are now recognized as major figures. Marceline Desbordes-Valmore is still unknown outside the francophone world, though Goya painted her portrait and Stefan Zweig wrote a study of her. Villiers de L'Isle-Adam is an ultimate Symbolist, after whose drama Edmund Wilson titled his Axel's Castle. 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Jean Rousselot Verlaine ranks alongside Baudelaire, Mallarme, and Rimbaud as one of the most outstanding poets of late nineteenth-century France whose work is associated with the early Symbolists, the Decadents, and the Parnassiens. Remarkable not only for his delicacy and exquisitely crafted verse, Verlaine is also the poet of strong emotions and appetites, with an unrivalled gift for the sheer music of poetry, and an inventive approach to its technique.  This bilingual edition provides the most comprehensive selection of his poetry yet, offering some 170 poems in lively and fresh translations and providing a lucid introduction which illuminates Verlaine's poetic form within the context of French Impressionism and the poetry of sensation. 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Mais l'essentiel ici est qu'elle nous dise la primaute du chant dans une poesie a la fois naive et savante dont le lyrisme melancolique exprime de maniere alors neuve ce que le poete lui-meme appelait le vrai vague ou fusionnent des sensations diverses. Et ce recueil a l'atmosphere noyee, il suffit que le sens simplement y murmure.\u003cbr\u003e\u003ci\u003eRomances sans paroles\u003c\/i\u003e n'etait pas encore publie quand Verlaine fut arrete pour avoir tire sur Rimbaud, et \u003ci\u003eCellulairement\u003c\/i\u003e fut ecrit pendant son sejour en prison. Les poemes, pourtant, font peu de place a la vie carcerale, et retracent surtout une crise d'identite sans pareille dans la vie du poete. 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Remarkable not only for his delicacy and exquisitely crafted verse, Verlaine is also the poet of strong emotions and appetites, with an unrivalled gift for the sheer music of poetry, and an inventive approach to its technique. This bilingual edition provides the most comprehensive selection of his poetry yet, offering some 170 poems in lively and fresh translations and providing a lucid introduction which illuminates Verlaine's poetic form within the context of French Impressionism and the poetry of sensation. \n\nParallel text \n\nABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.","brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49664323092753,"sku":"GOR012033199","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49911511384337,"sku":"NGR9780199554010","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50062562427153,"sku":"GOR007235838","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50560916160785,"sku":"GOR009249222","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000168546577,"sku":"NIN9780199554010","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51327241879825,"sku":"CIN0199554013G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474908836113,"sku":"NLS9780199554010","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0199554013.jpg?v=1785884583"},{"product_id":"poems-book-paul-verlaine-9780140421798","title":"Poems","description":null,"brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49713762533649,"sku":"GOR002232649","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49808417358097,"sku":"GOR002650983","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49975367532817,"sku":"GOR003130273","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0140421793.jpg?v=1750737306"},{"product_id":"before-wisdom-book-paul-verlaine-9781954218123","title":"Before Wisdom","description":"\u003cp\u003e\u003cstrong\u003eA selection from the legendary French poet Paul Verlaine's first four books translated with irreverence and musicality by Keith Waldrop and K.A. Hays.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBefore he became an icon of fin de si cle French poetry and a major influence on the Symbolist and Decadent movements, before he met Arthur Rimbaud and published his best-known collection, \u003cem\u003eSagesse\u003c\/em\u003e (Wisdom, 1880), Paul Verlaine wrote four books of poetry: \u003cem\u003eSaturnine Poems\u003c\/em\u003e (1866), \u003cem\u003eWild Parties\u003c\/em\u003e (1869), \u003cem\u003eThe Good Song\u003c\/em\u003e (1870), and \u003cem\u003eWordless Romances\u003c\/em\u003e (1874). This volume presents selections from those books, presenting Verlaine's lesser-known early work, in translations that Cole Swensen has dubbed a real tour de force and Michael Palmer calls remarkable versions.\u003c\/p\u003e\u003cp\u003eWaldrop's subtle sonic modulations and ease of diction bring Verlaine--in all of his beauty and absurdity--to life in English. Many exquisite, non-dramatic passages haunt me ('Mild ringing of rain \/ On pavement, on tile.') and the sudden deflations crack me up ('Does my name still make your heartbeat go? \/ Is my soul permanent in your dreams? -- No.'). The contrast between Waldrop and Verlaine's personalities only makes the poems more vivid.--Ben Lerner\u003c\/p\u003e \u003cp\u003eWaldrop and Hays have opened the shutters, pulled back the embroidered curtains, yanked the sheets off the furniture, and lifted the curse from the curs d poet. This is sunlit syncopated American rhythm for the famous French sonorities, as though Verlaine's contemporary, Gustave Faur , was being played by Duke Ellington.--Eliot Weinberger \u003c\/p\u003e \u003cp\u003eHow to approach the work of a poet whose first known poem is titled 'Death, ' and his last, 'Dead'? Waldrop and Hays pull it off with aplomb ... splendid, often daring choices that maintain Verlaine's famous soundscapes through a brilliant balance of the play of atmosphere and emotion so distinctive in his poems 7\/2\/2023 ... The introduction is a masterpiece in itself, distinguished by the well-known Waldropian wit and framing the whole both temperamentally and historically. All together, a real tour de force.--Cole Swensen \u003c\/p\u003e\u003cp\u003eVerlaine's subtly innovative prosodic skill and his singularly French lyric sensibility present significant, even daunting, challenges to would-be translators. Here melos--the music--is at once the ultimate and the most fugitive poetic goal. These remarkable versions offer a much-welcome window into the range of his art: his erotic fixations, his chimeras, his alternating exaltation and despair.--Michael Palmer\u003c\/p\u003e\u003cp\u003ePoetry. 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'Classic Walpurgisnacht' is one of many renderings which seem to me masterly.\u003cb\u003e--Richard Wilbur, author of \u003ci\u003eCollected Poems, 1943-2004\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBeautifully attentive to Verlaine's moods and melodies, Kirchwey catches the harmonies and dissonances, the tenderness, bile, and rage, of Verlaine's astonishing first book of poems. With its learned introduction and notes, this translation is a work of art of the first order: a perfect introduction to the young Verlaine for readers who do not know French, and a graceful meditation on Verlaine's poetics for readers who have long known and loved the poems in the original.\u003cb\u003e--Rosanna Warren, author of \u003ci\u003eDeparture: Poems\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn these \u003ci\u003ePoems Under Saturn\u003c\/i\u003e, Verlaine's early 'self I was then' springs out strangely and inventively. 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