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A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet. Paul Youngquist explores and assesses Sun Ra’s wide-ranging creative output-music, public preaching, graphic design, film and stage performance, and poetry-and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, Youngquist masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. 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The contributors approach the period from the perspective of the Atlantic maritime economy, making a strong case for viewing British Romanticism as the effect of myriad economic and cultural exchanges occurring throughout a circum-Atlantic world driven by an insatiable hunger for sugar and slaves. Typically taken for granted, the material contributions of slaves, sailors, and servants shaped Romanticism both in spite of and because of the severe conditions they experienced throughout the Atlantic world.  The essays range from Sierra Leone to Jamaica to Nova Scotia to the metropole, examining not only the desperate circumstances of diasporic peoples but also the extraordinary force of their creativity and resistance. Of particular importance is the emergence of race as a category of identity, class, and containment. Race, Romanticism, and the Atlantic explores that process both economically and theoretically, showing how race ensures the persistence of servitude after abolition. 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In Madness and Blake's Myth, Paul Youngquist argues that, in its thematic content and dramatic method, Blake's myth is about madness. From the early lyrics to the late epic-prophecies, Blake repeatedly dramatizes the dissociation of a unified mind in a manner that comes increasingly to resemble the major symptoms of mental illness.   Drawing upon recent clinical and philosophical inquiries, Youngquist shows how Blake makes poetry out of mental suffering; madness comes to operate in his myth as a metaphor for the Fall. For all its literary sophistication, however, Blake's mythology serves specific psychological needs, acquiring a therapeutic function for Blake personally as a defense against the madness it dramatizes.   Madness and Blake's Myth is a challenging reexamination of both a sophisticated literary achievement and the mind that conceived it.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53181206692113,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":53181207052561,"sku":"NLS9780271026756","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780271026756.jpg?v=1772237072"},{"product_id":"madness-and-blake-s-myth-book-paul-youngquist-9780271006697","title":"Madness and Blake's Myth","description":"This book offers the first systematic study of madness and its significance for the poetry of William Blake. Blake's reputation as an artist was long clouded by suspicions of madness. 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