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Apocalypse-cinema is both the end of the world and the end of the film, the consummation and the (self)consumption of cinema.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49770606199057,"sku":"GOR013780730","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008599752977,"sku":"NIN9780823264810","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823264815.jpg?v=1751107309"},{"product_id":"all-ears-book-peter-szendy-9780823273966","title":"All Ears","description":"The world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping?  All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma).   Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50363865497873,"sku":"CIN0823273962VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008634454289,"sku":"NIN9780823273966","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823273962.jpg?v=1751395928"},{"product_id":"phantom-limbs-book-peter-szendy-9780823267064","title":"Phantom Limbs","description":"The prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.  The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.  Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50369566114065,"sku":"CIN0823267067VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823267067.jpg?v=1750980082"},{"product_id":"of-stigmatology-book-peter-szendy-9780823278121","title":"Of Stigmatology","description":"What if our existence is a product of its interruptions? What if the words that structure our lives are themselves governed by the periods and commas that bring them to a close, or our images by the cinematic cuts that mark them off? Are we, like Chekhov's clerk, who dreams of being pursued by angry exclamation marks, or Scorsese's Jake LaMotta, bloodied by one violently edited fight after another, the products of punctuation—or as Peter Szendy asks us to think of it, punchuation?   Of Stigmatology elaborates for the first time a general theory of punctuation. Beginning with punctuation marks in the common sense, Peter Szendy goes on to trace the effects of punctuation more broadly, arguing that looking and hearing are not passive acts of reception, but themselves punctuate the images and sounds they take in. Szendy reads an astonishing range of texts and traditions, from medical auscultation to literature (Chekhov, Sterne, Kafka), philosophy (Hegel, Nietzsche, Heidegger, Derrida), psychoanalysis (Lacan), and film (Raging Bull, The Trial, Fight Club).  Repeatedly, what Szendy finds in these works is a punctuation that marks experience itself, that seeks (and ultimately fails) to bind the subject to itself. This is the stigmatology of the punctuation mark on the page that structures texts from ancient to digital, as well as the punchuation of experience, as though at the hands of a boxer.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50468467081489,"sku":"CIN0823278123G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008592675089,"sku":"NIN9780823278121","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823278123.jpg?v=1750883586"},{"product_id":"listen-book-peter-szendy-9780823227990","title":"Listen","description":"In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s\/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music. How can we share our actual hearing with others?  Along the way, he examines the evolution of copyright laws as applied to musical works and takes us into the courtroom to examine different debates on what we are and aren't allowed to listen to, and to witness the fine line between musical borrowing and outright plagiarism. Finally, he examines the recent phenomenon of DJs and digital compilations, and wonders how technology has affected our habits of listening and has changed listening from a passive exercise to an active one, whereby one can jump from track to track or play only selected pieces.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50817881964817,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50817882128657,"sku":"NGR9780823227990","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823227995.jpg?v=1772876770"},{"product_id":"supermarket-of-the-visible-book-peter-szendy-9780823283576","title":"The Supermarket of the Visible","description":"Already in 1929, Walter Benjamin described \"a one hundred per cent image-space.\" Such an image space saturates our world now more than ever, constituting the visibility in which we live. The Supermarket of the Visible analyzes this space and the icons that populate it as the culmination of a history of the circulation and general commodification of images and gazes. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of the image and economics.  The Supermarket of the Visible elaborates an economy proper to images, icons, in other words, an iconomy. Deleuze caught a glimpse of this when he wrote that \"money is the back side of all the images that cinema shows and edits on the front.\" Since \"cinema,\" for Deleuze, is synonymous with \"universe,\" Szendy argues that this sentence must be understood in its broadest dimension and that a reading of key works in the history of cinema allows us a unique vantage point upon the reverse of images, their monetary implications. Paying close attention to sequences in Hitchcock, Bresson, Antonioni, De Palma, and The Sopranos, Szendy shows how cinema is not a uniquely commercial art form among other, purer arts, but, more fundamentally, helps to elaborate what might be called, with Bataille, a general iconomy.  Moving deftly and lightly between political economy, aesthetic theory, and popular movies and television, The Supermarket of the Visible will be a necessary book for anyone concerned with media, philosophy, politics, or visual culture.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51008445514001,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51008449478929,"sku":"NIN9780823283576","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823283577.jpg?v=1751076764"},{"product_id":"for-an-ecology-of-images-book-peter-szendy-9781804294314","title":"For an Ecology of Images","description":"When Susan Sontag first proposed the idea of an \"ecology of images,\" she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed.  Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny's story about the birth of painting to Nabokov's butterflies, the first use of slo-mo in film to the first aerial photograph.  Praise for Peter Szendy: \"From book to book, Peter Szendy is in the process of constructing one of the most singular philosophical oeuvres of our time.\" - Laurent de Sutter,  Focus vif  \"A writer of exquisite sensitivity and wit, as well as of impeccable clarity.\" - Gil Anidjar, Columbia University","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51054687584529,"sku":"NIN9781804294314","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51216238641425,"sku":"NGR9781804294314","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51756434948369,"sku":"CIN1804294314G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51845400035601,"sku":"GOR014424512","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52600489345297,"sku":"GOR014557626","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1804294314.jpg?v=1751427824"},{"product_id":"kant-in-the-land-of-extraterrestrials-book-peter-szendy-9780823255498","title":"Kant in the Land of Extraterrestrials","description":"“Yes, Kant did indeed speak of extraterrestrials.” This phrase could provide the opening for this brief treatise of philosofiction (as one speaks of science fiction). What is revealed in the aliens of which Kant speaks—and he no doubt took them more seriously than anyone else in the history of philosophy—are the limits of globalization, or what Kant called cosmopolitanism.  Before engaging Kantian considerations of the inhabitants of other worlds, before comprehending his reasoned alienology, this book works its way through an analysis of the star wars raging above our heads in the guise of international treaties regulating the law of space, including the cosmopirates that Carl Schmitt sometimes mentions in his late writings.  Turning to track the comings and goings of extraterrestrials in Kant’s work, Szendy reveals that they are the necessary condition for an unattainable definition of humanity. Impossible to represent, escaping any possible experience, they are nonetheless inscribed both at the heart of the sensible and as an Archimedean point from whose perspective the interweavings of the sensible can be viewed.  Reading Kant in dialogue with science fiction films (films he seems already to have seen) involves making him speak of questions now pressing in upon us: our endangered planet, ecology, a war of the worlds. But it also means attempting to think, with or beyond Kant, what a point of view might be.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51211940626705,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51211942691089,"sku":"NIN9780823255498","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823255492.jpg?v=1751330287"},{"product_id":"listen-book-peter-szendy-9780823228003","title":"Listen","description":"In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s\/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music. How can we share our actual hearing with others?  Along the way, he examines the evolution of copyright laws as applied to musical works and takes us into the courtroom to examine different debates on what we are and aren’t allowed to listen to, and to witness the fine line between musical borrowing and outright plagiarism. Finally, he examines the recent phenomenon of DJs and digital compilations, and wonders how technology has affected our habits of listening and has changed listening from a passive exercise to an active one, whereby one can jump from track to track or play only selected pieces.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51323869987089,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51323872248081,"sku":"CIN0823228002A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51681875034385,"sku":"GOR005273168","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52740337828113,"sku":"NIN9780823228003","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823228002.jpg?v=1772877742"},{"product_id":"powers-of-reading-book-peter-szendy-9781942130963","title":"Powers of Reading","description":"\u003cp\u003e\u003cb\u003eA historical, literary, and philosophical study that transforms our understanding of reading\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \"Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push and pull between temporalities and voices? Why do we keep leaving the text when we seek to obey the injunction to stay within its terms?\u003cbr\u003e \u003cbr\u003e Questions such as these produce a fresh, even startling, consideration of a wide range of literary and popular texts, including Hobbes' \u003ci\u003eLeviathan\u003c\/i\u003e, Flaubert's \u003ci\u003eMadame Bovary\u003c\/i\u003e, Kant's moral injunctions, Sade, Valéry, Blanchot, and de Certeau, but also modern fiction, film, audiobooks, and hypertext. The power of reading turns out to belong to its surprising engagement with time and direction: the deliberate reader stays close but strays, tries to fill in the gaps but gets pushed back by a countercurrent. The key to the text is sought 'outside' only to be led back to the text and its failure to deliver a final answer. Equally at odds with older versions of literary formalism that insist on the self-referentiality of the text as well as contextualists who scour an external social order to discover the truth of the text, Szendy approaches that very conflict as an oscillation constitutive of reading itself. Paradoxically, reading is sustained precisely by what interrupts its teleological flow.\u003cbr\u003e \u003cbr\u003e The result is a comic, profound, and timely reconceptualization of reading which rushes forward only to find itself pushed back into the heart of the text, which discovers that this incessant breaking from the text, this headlong rushing ahead to the world outside the text is a sequence of overreach, delay, and return that forms the ragged rhythm of reading itself. \u003ci\u003ePowers of Reading\u003c\/i\u003e is a patient, brilliant, and illuminating inquiry into the crosscurrents of voice and address, one that speaks to the speed and complexity of our time, how we are upended by our forward propulsions, to consider how multiple voice, action, and passivity are all rearranged in the scene of reading.\"--Judith Butler, Distinguished Professor in the Graduate School, University of California, Berkeley\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51632081142033,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51632081404177,"sku":"NGR9781942130963","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51632081568017,"sku":"NIN9781942130963","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52590693155089,"sku":"CIN1942130961VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":53357030342929,"sku":"CIN1942130961G","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1942130961.jpg?v=1751448343"},{"product_id":"supermarket-of-images-book-peter-szendy-9782072857126","title":"The Supermarket of Images","description":"- Explores a wide range of perspectives on the economics of the image and images of the economy- Published to accompany an exhibition at Jeu de Paume Museum, Paris, from February - June 2020- Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA- Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University PressThe visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herv  Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52669636280593,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52669637165329,"sku":"NLS9782072857126","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9782072857126.jpg?v=1762287885"},{"product_id":"all-ears-book-peter-szendy-9780823273959","title":"All Ears","description":"An archeology of auditory surveillance combined with an analysis of representations of spying in works of literature, music, and film that provide philosophical reflections on the drives that animate listening: the drive for mastery and the death drive.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":53014082584849,"sku":"NIN9780823273959","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780823273959.jpg?v=1768143191"},{"product_id":"hits-book-peter-szendy-9780823234370","title":"Hits","description":"Hits: Philosophy in the Jukebox is an extraordinary foray into what apple has convinced us is \"the soundtrack of our lives.\" How does music come to inhabit us, to possess and haunt us? What does it mean that a piece of music can insert itself—Szendy's term for this, borrowed from German, is the earworm—into our ears and minds?  In this book, Peter Szendy probes the ever-growing and ever more global phenomenon of the hit song. Hits is the culmination of years of singular attentiveness to the unheard, the unheard-of, and the overheard, as well as of listening as it occurs when one pays anything but attention. Szendy takes us through our musical bodies, by way of members and instruments, playing and governing apparatuses, psychic and cinematic doublings, political and economic musings.   The hit song, Szendy concludes, functions like a myth, a force of repetition that grows by force of repetition. In the repetition generated by the song's relation to itself, Szendy locates its production as a fetishized commodity, a self-producing structure, and a self-desiring machine. Like a Deleuzian machine, then, the hit song is a technology of the self, or better, a technology of rule, a bio-melo-technology.  After reading this book, one can no longer avoid realizing that music is more than  a soundtrack: It is the condition of our lives. We are all melomaniacs, Szendy tells us in his unique style of writing and of thought. We are melo-obsessive subjects, not so much driven to a frenzy by a music we hardly have time to listen to as governed and ruled by it.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53035352850705,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53035353440529,"sku":"NIN9780823234370","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780823234370.jpg?v=1768747298"},{"product_id":"kant-in-the-land-of-extraterrestrials-book-peter-szendy-9780823255504","title":"Kant in the Land of Extraterrestrials","description":"Kant has taken seriously, as no one else in the history of philosophy did, the existence of extraterrestrials. Their central role in his thought allows for a new approach of cosmopolitanism, in a tight dialogue with Carl Schmitt. 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