{"title":"Polytekton","description":null,"products":[{"product_id":"paid-in-sunsets-book-polytekton-9781941892305","title":"Paid in Sunsets","description":"\u003ci\u003ePaid in Sunsets: A Park Ranger's Story\u003c\/i\u003e is a humorous memoir of David A. Dutton's life as a Federal Park Ranger. Park Rangers are called upon to do many dangerous things, like rappel down cliff faces to rescue stranded climbers, or cut fire lines in advance of raging forest infernos. Dutton didn't do those things. He spent thirty-one years sharing the natural world with others. This memoir retells the best of those experiences-bawdy encounters along the muddy Rio Grande, ghosts in a remote Southwest canyon, swimming with Great White sharks, tweezing pernicious Kentucky ticks off his body, carrying diarrhea out of the longest cave in the world, and getting pissed on by an indignant raccoon in a Mississippi backwater, to name a few. The memoir is about birth, life, and sometimes, death. 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These are the passages from Dada to Surrealism (1921-1924), from the Lettrist International to the Situationist International (1956-1957), and from Minimal Art to Land Art (1966-1967). By analyzing these episodes we simultaneously obtain a history of the roamed city that goes from the \u003ci\u003ebanal city\u003c\/i\u003e of Dada to the \u003ci\u003eentropic city\u003c\/i\u003e of Robert Smithson, passing through the unconscious and \u003ci\u003eoneiric city\u003c\/i\u003e of the Surrealists and the \u003ci\u003eplayful\u003c\/i\u003e and \u003ci\u003enomadic city\u003c\/i\u003e of the Situationists. What the rovings of the artists discover is a liquid city, an amniotic fluid where the spaces of the elsewhere take spontaneous form, an urban archipelago in which to navigate by drifting. A city in which the \u003ci\u003espaces of staying\u003c\/i\u003e are the islands in the great sea formed by the \u003ci\u003espace of going\u003c\/i\u003e. Fundamentally, for Careri, the act of walking-although it does not constitute a physical construction of a space-implies a transformation of a place and its meanings. The mere physical presence of humans in an unmapped space, as well as the variations of perceptions they register while crossing it, already constitute forms of transformation of the landscape that-without leaving tangible signs-culturally modify the meaning of space and therefor the space itself. From the Introduction by Gilles A. Tiberghien In \u003ci\u003eWalkscapes\u003c\/i\u003e, Francesco Careri does more than write a book on walking considered as a critical tool, an obvious way of looking at landscape, and as a form of emergence of a certain kind of art and architecture.  ...H]e offers us a rereading of the history of art in terms of the practice of walking (such as he conceives of it), from the erection of the menhirs, through Egypt and Ancient Greece, up to the protagonists of Land Art.  ...] The idea suffusing the book as a whole, and which the author convincingly describes  ...] is that walking has always generated architecture and landscape, and that this practice, all but totally forgotten by architects themselves, has been reactivated by poets, philosophers and artists capable of seeing precisely what is not there, in order to make 'something' be there.  ...] Such an enterprise has a genuine 'political' stake-in the primal sense of the word-a way of keeping art, urbanism and the social project at an equal, and sufficient, distance from each other in order to effectively illuminate these empty spaces we have such need of to live well. From the Foreword by Christopher Flynn Careri traces a genealogy of walking across the twentieth century here, but the aggregate does more than that. 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In the style of a novel where plot threads unfold chronologically from 1959 to 1983, characters appear and reappear. They remember blackout curtains and their neighbor killed in Pearl Harbor, haggle over clear cutting, mourn fellow loggers killed in the woods, voice curiosity about Chet who shows up from eastern Oregon to extract his son from white man's land, and are suspicious of the hippies on the old Marshall place who log with mules. They disagree about whether or not the preacher who claims he saw God is crazy and if the ex-con who returns from prison with a new wife killed his old one. But they agree that the Portland transplant who pushes her petitions 'for the good of Timber' is a pain in the ass and that the poem over the entry of the Timber Valley Store that says The best people in the world pass through these doors, is mostly true. \u003cp\u003e\u003c\/p\u003e\u003cb\u003ePraise for These Doors\u003c\/b\u003eEchoing Thoreau's lives of quiet desperation, \u003ci\u003eThese Doors\u003c\/i\u003e illuminates the unbearable sadness of hope. Condemned to small adventures in Timber, Oregon, 'a low spot socked in by firs, ' we take a gentle journey through The Valley into the circle of its intimate community, the pain of its heart, the redemption of its soul. Written with tough, fragile beauty and savage clarity, using language that manages to be both sparse and luminous, offering deep communion with nature, succinct life lessons and memorable aphorisms, Ms. Clark reminds us of the universality of sorrow and the uplifting power of deferred, hoped-for joy. In the author's loving hands, I came to care about and have affection for these people. I hurt with these people. I was surprised by the sweetest and softest of tears that came over me almost imperceptibly. \u003ci\u003eThese Doors\u003c\/i\u003e, within whose pages an uncareful moment can ruin a village and a life, where howling 'The Old Rugged Cross' can become an uncanny 'Ode to Joy, ' will lift you, carry you, sustain you, move you. And you will return.\u003cb\u003e\u003cb\u003eDr. Douglas W. Larche\u003c\/b\u003e, author and playwright of \u003ci\u003eFather Gander, Number the Stars, Truth on Trial\u003c\/i\u003e, and \u003ci\u003eAngels in the Snow\u003c\/i\u003e; Cabinet-level Director of Cultural Affairs and the Iowa Arts Council for Governor Thomas Vilsack \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eI love these stories from another time, and these all too human characters as they go about their odd, funny, sad, messy, and interconnected lives in a tiny, isolated community in rural Oregon. 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We wanted to get rid of the painful early sessions that go with learning to run the traditional way (I used to hate running when I first started). We feel there is no need to pound the pavement or feel all beat up after a run (muscle soreness and hard work are OK, feeling beat up is not). Here is what we are going to cover in this book: 1. Screening for Potential Injuries Before You Start 2. Biomechanics: learning good technique always beats getting stronger. This is the main argument of the book. 3. The Key Points that make up the Grab'N'Go system: - Five parts of running: - Symmetry of arms and legs; - Posture for ergonomics-this is important. - Master these areas before putting more time into anything else. It may take a bit longer to learn but pays off in the long run (pun intended). - We include the appropriate strength and coordination drills for each section, as you need a certain level of strength in order to perform each technique correctly. 4. Build the Machine 5. 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Unlike his previous book, THE MANY LOVES OF DUANE VORHEES, the new one is not monothematic. It explores the subjects that are the basis of great poetry -- self, life, politics, place, faith, philosophy, and art among them -- in a variety of styles and moods. Throughout, the poems employs wit, creativity, and erudition in an approachable manner. Anyone who enjoys meaningful poetry should look forward to reading and re-reading this remarkable tome. As Duane writes in his opener, \u003cp\u003e\u003c\/p\u003eMedicine men summon the sacred smoke\u003cbr\u003eof sage sweetgrass and cedar.\u003cbr\u003eThey unrein the Dream.\u003cbr\u003eAnd poets compose.\u003cbr\u003eThey unmine the mindfield, \u003cbr\u003eincite\u003cbr\u003einsight. \u003cp\u003e\u003c\/p\u003eA book of poetry by one of our most important poets. (see review below) \u003cp\u003e\u003c\/p\u003eWhat Reviewers Think\u003cbr\u003e... a delightful collection of poems  At times playful, at times sober and reflective  on the topics of] friendship, envy, lust, the philosophy of existence,  written] in a voice that is sincere, original, captivating. The reader becomes an explorer, and the exploration brings great joy and value.\u003cbr\u003e- Peter Wodarz, Professor, Okinawa Christian University \u003cp\u003e\u003c\/p\u003eI always have approached a Vorhees book with a smile on my face, knowing that soon I would chuckle at his politely naughty sense of humor and delightful word play.  ...]\u003cbr\u003e His] respect for language and the beauty in which it can take multiple directions takes on the tone of a blues number  ...]\u003cbr\u003eHe understands the beauty of our frailties, the lost and found and lost yet again inevitable pattern of the human experience.  ...] T]his collection of poems embraces the elusiveness of life's beauty  ...]. Everything has its moment.\u003cbr\u003e- Dave NorrisAssociate Professor of English, University of Maryland Global Campus \u003cp\u003e\u003c\/p\u003e V]isionary and eclectic  ...]  The author's] metaphorical poetry speaks directly to the reader, challenging  ...] us to concentrate on lexical progression and his astonishing rhythmic, galloping rhyming scheme,  following] an unknown but intriguing poetic path, passing distant lands and meeting an array of people, cultures and beliefs  ...] This is indeed a cinematic journey through the eyes of a world travelling word weaver, who has tasted life's feast and who now throws existential crumbs our way; satisfying our global palette  ...] whilst at the same time closing our eyes and bravely attempt to savour unknown poetic flavours.\u003cbr\u003e- Don Beukes, Author of \u003ci\u003eThe Salamander Chronicles\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003eI kept thinking that I had encountered what could have happened had e.e. cummings and Franz Wright collaborated on a project. 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