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In this major contribution to gender studies, R. Howard Bloch demonstrates how similar the ubiquitous antifeminism of medieval times and the romantic idealization of woman actually are. Through analyses of a broad range of patristic and medieval texts, Bloch explores the Christian construction of gender in which the flesh is feminized, the feminine is aestheticized, and aesthetics are condemned in theological terms. Tracing the underlying theme of virginity from the Church Fathers to the courtly poets, Bloch establishes the continuity between early Christian antifeminism and the idealization of woman that emerged in the twelfth and thirteenth centuries. In conclusion he explains the likely social, economic, and legal causes for the seeming inversion of the terms of misogyny into those of an idealizing tradition of love that exists alongside its earlier avatar until the current era. 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A priest in Orleans from 1824 to 1833, Migne then moved to Paris, where, in the space of a decade, he built one of the most extensive publishing ventures of all time. Using the latest innovations in print technology, advertising and merchandising, the abbe's assembly-line production and innovative marketing of the massive editions of the Church Fathers placed him at the forefront of France's new commerce. Characterized by the police as one of the great \"schemers\" of the century, this priest-entrepreneur put the most questionable of business practices in the service of his devotion to Catholicism. 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Far from existing in separate domains, literature and law in medieval France shared a common cultural mission: to preserve tradition, negotiate societal tensions, and affirm communal identity. Through oral performances, epic tales, and courtly poetry, medieval literature often mirrored the legal mechanisms of feudal courts, showcasing trials by combat, oaths, and ordeals as integral to both narrative structure and communal values.   The work delves into how the literary and legal practices of the period reflected and influenced each other. The shift from feudal judicial systems reliant on physical violence to the monarchy's centralized, document-driven processes found parallels in literature’s evolution from the epic's dramatic conflicts to the courtly lyric's introspective nuance. Texts like La Mort Artu and Raoul de Cambrai not only depict the inadequacies of feudal legal institutions but also illuminate the broader political and cultural transformations of the High Middle Ages. By situating these literary artifacts within their historical context, the book provides a richer understanding of how vernacular literature and legal codification shaped and were shaped by the dynamic interplay of power, tradition, and social order.   Ideal for historians and literary scholars alike, this study redefines our understanding of medieval French culture, offering fresh insights into the collaborative evolution of law and literature during a pivotal era.   This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. 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