{"title":"Ramona Fotiade","description":null,"products":[{"product_id":"bout-de-souffle-book-ramona-fotiade-9781780765099","title":"A Bout De Souffle","description":"One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. A Bout de souffle  is now a cult film, propelled in part by the memorable coupling of its leading actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade analyses in depth its production and reception, as well as its mise-en-scene and editing.  She situates A Bout de souffle in relation to Godard's filmography and critical writings up to 1960, focusing on a narrative and visual discourse that is now identified with a distinctive strand in postmodern French cinema. 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Best known for his ground-breaking comparative studies of Tolstoy and Nietzsche, and of Dostoevsky and Nietzsche, Shestov defined his conception as the 'philosophy of tragedy'. Shestov's philosophical hermeneutics of the literary work of art was later developed and disseminated through the writings of his disciple, the Romanian-born Benjamin Fondane (1898-1944), who was also a poet, filmmaker and playwright. The two authors provided one of the earliest and most consistent critical accounts of Husserlian phenomenology in France. 'The philosophy of tragedy' and its associated notions of 'revolt' and existential truth had a lasting impact on a number of prominent writers and philosophers including Georges Bataille, André Gide, André Malraux, Albert Camus and Emmanuel Lévinas.\u003cbr\u003e Précurseur influent de l'Existentialisme, le philosophe d'origine russe, Léon Chestov a élaboré une critique radicale de la connaissance rationnelle et de l'éthique du point de vue de l'existence individuelle. Connu en particulier pour l'originalité de ses études comparatives sur Tolstoi et Nietzsche, et sur Dostoïevski et Nietzsche, Chestov a défini sa conception comme une 'philosophie de la tragédie'. L'herméneutique philosophique de l'oeuvre littéraire chez Chestov a été ultérieurement developpée et disséminée à travers les écrits de son disciple d'origine roumaine, Benjamin Fondane, philosophe, mais aussi poète, cinéaste et homme de théâtre. Les deux auteurs ont élaboré une des premières et des plus cohérentes critiques de la phénoménologie d'Husserl en France. La « philosophie de la tragédie » et les notions qui y sont associées, en particulier celle de « révolte » et de vérité existentielle, ont exercé une influence durable sur nombre d'écrivains et des philosophes réputés, dont Georges Bataille, André Gide, André Malraux, Albert Camus et Emmanuel Lévinas.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50093444628753,"sku":"CIN3039108999VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51327445664017,"sku":"CIN3039108999G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52686770110737,"sku":"NLS9783039108992","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3039108999.jpg?v=1751415649"},{"product_id":"bout-de-souffle-book-ramona-fotiade-9781780765082","title":"A Bout De Souffle","description":"One of the most charismatic feature films of the New Wave, A Bout de Souffle (1960) has retained much of its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. Sustained critical attention over almost fifty years has made this a cult film, propelled in part by the memorable coupling of its lead actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood.  In this original guide to the film, Ramona Fotiade provides an in-depth analysis of its production and reception contexts, as well as of salient aspects mise-en-scene and editing. She situates A Bout de Souffle in relation to Godard's filmography and critical writings up to 1960, focusing on the elaboration of a narrative and visual discourse that has come to be identified with a distinctive strand in postmodern French cinema. 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