{"title":"Richard Maxwell","description":"\u003cp\u003eDelve into Richard Maxwell's works, exploring themes of identity, performance, and everyday life with a unique theatrical lens. Perfect for readers interested in experimental narratives and contemporary drama.\u003c\/p\u003e","products":[{"product_id":"train-your-young-horse-with-richard-maxwell-book-richard-maxwell-9780715327999","title":"Train Your Young Horse with Richard Maxwell","description":"A training guide, which helps readers give a young horse the best start by building a solid foundation. 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This book aims to change that by offering readers a number of ways to link cultural experience to political economy-to become aware of the ways in which political and economic realities and decisions determine the outlines of spaces and activities in everyday life.  Unsettling and provocative, Culture Works tears down the imaginary walls separating culture, economics, and politics. Writing across the established borders between anthropology, sociology, art history, economics, communication and media studies, political theory, and performance, the authors seek to show how particular economies and power relations work in familiar and central cultural experiences: art, beer, advertising, dance, sport, shopping, the Web, and media. Their essays provide a series of lucid, critical accounts of various aspects of the political economy of culture and its attendant issues of production, consumption, corporatization, and the struggle for meaning. A refreshing example of a politics of writing and critical thinking that cultural studies and political economic analysis can produce when working together, the result will change the ways in which readers experience, consider, and understand culture works.  Contributors: David L. Andrews, U of Maryland; Michael Curtin, Indiana U; Susan G. Davis, U of Illinois; Danielle Fox; Chad Raphael, Santa Clara U; Anna Beatrice Scott, U of California, Riverside; Ben Scott; Inger L. Stole, U of Illinois; Thomas Streeter, U of Vermont.  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Turning the American family drama firmly on its head, Maxwell strips more layers of explanation from the Freudian family romance, shining light on the humiliation and fury usually reasoned out of sight by psychologizing playwrights. Few characters in contemporary drama are as exposed as Maxwell's.--Marc Robinson, \u003ci\u003eVillage Voice\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eImagine if you took a giant hatpin and stuck it into Sylvester Stallone's \u003ci\u003eRocky\u003c\/i\u003e. 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Watching Mr. Maxwell's work makes you think of what it must have been like to stumble upon the baffling but seductive creations of a young Sam Shepard in the early 1960's in the East Village.--\u003ci\u003e, New York Times\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eThis first volume collects nine of Maxwell's early works: \u003ci\u003eBoxing 2000, Caveman, House \u003c\/i\u003e(1999 OBIE Award winner), \u003ci\u003eShowy Lady Slipper \u003c\/i\u003eand others.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRichard Maxwell \u003c\/b\u003eis a writer, director and songwriter. He began his acting career with the Steppenwolf Theatre Company in Chicago, where he helped found the Cook County Theater Department, which challenged the principles of traditional acting training. He is artistic director of New York City Players. 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Watching the plays of this rigorously inventive auteur, we are encouraged to see the plasterboard behind the wallpaper, the skin under the greasepaint and the skulls beneath the skin.\"-- Ben Brantley, \u003ci\u003eNew York Times\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater.\u003cbr\u003e \u003cbr\u003e Richard Maxwell is a director and playwright and the artistic director of New York City Players. Maxwell's plays have been commissioned and presented in over 20 countries. He is a Doris Duke Performing Artist. Maxwell has been selected for a Guggenheim Fellowship, two OBIE Awards, a Foundation for Contemporary Arts Grant, and he was an invited artist in the Whitney Biennial (2012). 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