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Each book comprises all new stories, each one set in a distinct neighborhood or location within the geographic area of the book. Now, two of Trinidad's top writers masterfully curate this literary retrospective of the nation's best writing over the past century.\u003c\/p\u003e \u003cp\u003eReprints of classic stories (and poems) by: C.L.R. James, Derek Walcott, Samuel Selvon, Eric Roach, V.S. Naipaul, Harold Sonny Ladoo, Michael Anthony, Willi Chen, Earl Lovelace, Robert Antoni, Elizabeth Nunez, Ismith Khan, Lawrence Scott, Wayne Brown, Jennifer Rahim, Elizabeth Walcott-Hackshaw, Sharon Millar, Barbara Jenkins, and Shani Mootoo.\u003c\/p\u003e \u003cp\u003eFrom the introduction by Earl Lovelace:\u003c\/p\u003e \u003cp\u003e\"Where Trinidad is different even from its Caribbean sisters is the degree to which it has developed its folk arts--its carnival, its steel band, its music--as forms of both rebellion and mediation. These forms have not only continued to entertain us; they ritualize rebellion, speak out against oppression, and affirm the personhood of the downpressed. This rebellion is not evident with the same intensity as it used to be. Independence and political partisanship and the growing distance of the middle class from the folk, among other developments, have seen a fluctuation in the ideals of rebellion. Yet what is incontestable is that these arts have established and maintained a safe space for conflict to be resolved or at least expressed, not in a vacuum but in the face of a status quo utilizing its muscle and myths to maintain a narrative that upholds its interests.\u003c\/p\u003e \u003cp\u003eAs the situation becomes more complex and information more crucial, our literature is best placed to challenge or to consolidate these myths. Individually, we are left to decide on whose behalf our writing will be employed. In this situation, the struggle has been within the arts themselves--whether they see themselves as an extension of rebellion or art as entertainment. Although late on the scene and without the widespread appeal of the native and folk arts, our literature can lay claim to being part of these arts of rebellion, upholding and making visible the dismissed and ignored, lifting the marginalized into personhood, persuading us that a new world is required, and establishing this island as a place in which it can be imagined and created.\"\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49744605937937,"sku":"CIN1617754358G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52738832531729,"sku":"GOR014606243","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52745092006161,"sku":"GOR012035708","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53333273051409,"sku":"GOR014853329","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1617754358.jpg?v=1751408164"},{"product_id":"my-grandmother-s-erotic-folktales-book-robert-antoni-9780802139009","title":"My Grandmother's Erotic Folktales","description":"(Piano Solo Songbook). 27 terrific hits, standards \u0026amp; themes many of which have never been available in solo arrangements  Includes: All I Ask of You * Bella's Lullaby * Bohemian Rhapsody * Don't Stop Believin' * Forrest Gump Main Title * Grenade * Hallelujah * Hello * Just the Way You Are * Let It Be * On My Own * The Pink Panther * Someone like You * When She Loved Me * and more.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49946437943569,"sku":"GOR008840520","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51007244960017,"sku":"NIN9780802139009","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0802139000.jpg?v=1786126127"},{"product_id":"paradise-overdose-book-brian-antoni-9780802134875","title":"Paradise Overdose","description":"The decadent chic of Bahamian high life collides with bittersweet romance in this poignant and powerful novel that explores the redemptive power of love. 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He forms a collective called the Tropical Emigration Society (TES), and recruits a variety of London citizens to take his machines and his misguided ideas to form a proto-socialist, utopian community in the British colony of Trinidad.\u003c\/p\u003e \u003cp\u003eAmong his recruits is a young boy (and the book's narrator) named Willy. As TES begins its overseas voyage to Trinidad, Etzler recedes quickly to the backdrop, and Willy's tale takes precedence--in particular his head-over-heels fall for the enthralling and wise Marguerite Whitechurch. Coming from the gentry, Marguerite is a world away from Willy's laboring class. Speech also divides them, as Marguerite lacks vocal cords--she communicates with Willy in writing. As the voyage continues, and their love for one another strengthens, Willy and Marguerite prove themselves to be true socialists, their actions and adventures standing in stark contrast to Etzler's disconnected theories.\u003c\/p\u003e \u003cp\u003eWhen they arrive at Port of Spain, Willy must part from Marguerite and travel with the men of TES to build the society's future home--in a remote swamp, only accessible by boat, called Chaguabarriga. Far from realizing their leader's dreams of a tropical paradise, the pioneers never even get a chance to unpack their Satellite, Etzler's \"self-powered\" machine that will mow down the rainforest and plant their first crops. Within weeks the majority of them are stricken with the \"Black Vomit.\" And now they're trapped, without a boat to return to civilization . . .\u003c\/p\u003e \u003cp\u003eWilly and his father--together with their helpmate, an African named John--make a last-ditch attempt to refurbish a schooner that has washed up. 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