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The film tells the melodramatic story of a family uprooted from their village in southern Italy, who battle for existence in the industrial metropolis of Milan. The violent sexuality of the film proved too much for the Italian censors, but it is the full, restored version of \"Rocco\" that Sam Rohdie's analysis sees as a masterpiece of Italian cinema. This text is part of the \"BFI Film Classics\" series. Each volume in the series presents a personal commentary on the film, together with a brief production history and a detailed filmography, notes and bibliography.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49557744648465,"sku":"GOR001300967","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53148145221905,"sku":"GOR002822622","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0851703402.jpg?v=1750819004"},{"product_id":"rocco-and-his-brothers-rocco-e-i-suoi-fratelli-book-sam-rohdie-9781839021947","title":"Rocco and his Brothers (Rocco e i suoi fratelli)","description":"Sam Rohdie's insightful and compelling analysis of Luchino Visconti's 1960 epic of modern urban life reveals the film as one of the greatest masterpieces of Italian cinema.   Rocco tells the story of a family of peasants uprooted from their village in southern Italy, and forced to battle for existence in the industrial metropolis of Milan. Though fascinated by the social reality of modern Italy, Visconti had by this time thrown off the influence of the neorealist movement. He had developed a style all his own, enriched by his experience of directing opera for the stage. As a result, the characters in Rocco are no longer held in check by the naturalistic conventions of neorealism. Instead, they erupt on the screen with all the emotional power of heightened melodrama.  The violent sexuality projected by stars Alain Delon, Annie Girardot, Claudia Cardinale and the rest of Visconti's impressive cast was too much for the Italian censors, who cut several scenes. Rohdie discusses the film in terms of its 'passionate splendid realism', arguing that these two apparently opposing moods are held in balance rather than contradiction in the film, part of 'the very condition of the film's power - and grace.'","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49590477062417,"sku":"GOR013557554","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50324214677777,"sku":"NGR9781839021947","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50406647169297,"sku":"CIN1839021942VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1839021942.jpg?v=1751027016"},{"product_id":"film-modernism-book-sam-rohdie-9780719099281","title":"Film modernism","description":"An original and provocative study. Theoretically lucid and engaging, it will be an essential text for any student of film. -- .","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49593500107025,"sku":"GOR012387065","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52679921762577,"sku":"NLS9780719099281","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0719099285.jpg?v=1772790453"},{"product_id":"passion-of-pier-paolo-pasolini-book-sam-rohdie-9780253210104","title":"The Passion of Pier Paolo Pasolini","description":"\". . . a keen and brilliant critical account of Pasolini's films and writings . . .\" —Italica  \"Rohdie's personal, idiosyncratic critical style is backed up by serious scholarly research, as the rich bibliography attests. This is one of the most original recent additions to the ever-growing literature on Pasolini.\" —Choice  \" . . . refreshingly personal and full of unpredictable tangents.\" —Film Quarterly  Sam Rohdie has written a personal, wonderfully lucid account of Pier Paolo Pasolini's cinema and literature.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49621612298513,"sku":"GOR003469144","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51440354263313,"sku":"GOR007769273","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52464909877521,"sku":"GOR014531320","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253210100.jpg?v=1751423302"},{"product_id":"film-modernism-book-sam-rohdie-9781784992637","title":"Film Modernism","description":"This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework.  The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. 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Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with ) alternative approaches to the history and language of cinema. 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