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With focus on the Arabic translations of Shakespeare’s tragedies in Egypt, this book offers a detailed analysis of the theory of ‘fields of cultural production’ with the purpose of providing a fresh perspective on the genesis and development of drama translation in Arabic. \u003c\/p\u003e\u003cp\u003eThe different cases of the Arabic translations of \u003ci\u003eHamlet\u003c\/i\u003e, \u003ci\u003eMacbeth\u003c\/i\u003e, \u003ci\u003eKing Lear\u003c\/i\u003e and \u003ci\u003eOthello\u003c\/i\u003e lend themselves to sociological analysis, due to the complex socio-cultural dynamics that conditioned the translation decisions made by translators, theatre directors, actors\/actresses and publishers. 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