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Two notable themes (each with a series of poems) recur. The first is based on the author's experience of her mother's absence as a young child. In some poems the mother appears like a benevolent ghost, a figure the protagonist is always waiting for, in others she is more ambiguous, or even an imposter. The second major series derives from the author's childhood in rural Wales and her particular fascination for horses. 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From how to think about the medium itself, to looking at colour, fonts, size and message, here is inspiration for every detail of your creation. \u003c\/p\u003e \u003cp\u003eIn today's world it's easy to feel helpless, but here is a book to initiate debates rather than shouting matches, to enable collaboration in place of confrontation. Gentleness can be a great strength, and quiet action can sometimes speak as powerfully amid the noise as the loudest voice. 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Eliot Prize, we are familiar with the world she portrays, of the childhood spent in rural North Wales, and the first half of this new collection is devoted mostly to poems that re-create scenes from a youth that was haunted by trouble, but also redeemed by a strong attachment to the beauties of nature, particularly horses, and an early love of reading and culture. In poems like 'Rivers, Roads' the two images mesh and intertwine, becoming symbolic and strangely evocative.\u003cbr\u003e\u003cbr\u003eThis poet bravely eschews lightness and irony for a whole-heartedly passionate and intensely physical response to life. \u003ci\u003eOther Beasts\u003c\/i\u003e differs from her earlier work in that in the latter half of the collection, she moves away from her own personal history and focuses on in-depth and often scary narratives of other lives. 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