{"title":"Shameik Moore","description":null,"products":[{"product_id":"spider-man-into-the-spider-verse-dvd-0043396522602","title":"Spider-Man: Into The Spider-Verse","description":"\u003ci\u003eNext Steps: New Directions for\/in Writing about Writing\u003c\/i\u003e is the first collection of teacher and student voices on a writing pedagogy that puts expert knowledge at the center of the writing classroom. More than forty contributors report on implementations of writing-about-writing pedagogies from the basic writing classroom to the graduate seminar, in two-year and four-year schools, and in small colleges and research universities around the United States and the world. \u003cp\u003e\u003c\/p\u003e For more than ten years, WAW approaches have been emerging in all these sites and scenes of college writing instruction, and \u003ci\u003eNext Steps\u003c\/i\u003e offers an original look at the breadth of ways WAW pedagogy has been taken up by writing instructors and into an array of writing courses. Organized by some of the key foci of WAW instruction--writerly identity, process, and engagement--the book takes readers into thick classroom descriptions as well as vignettes offering shorter takes on particular strategies. The classroom descriptions are fleshed out in more personal ways by student vignettes, reflections on encountering writing about writing in college writing classes. As its theoretical basis, \u003ci\u003eNext Steps\u003c\/i\u003e includes chapters on threshold concepts, transfer of writing-related learning, and the history of WAW pedagogies. \u003cp\u003e\u003c\/p\u003e As the first extensive look into WAW pedagogies across courses and institutions, \u003ci\u003eNext Steps\u003c\/i\u003e is ideal for writing instructors looking for new approaches to college composition instruction or curious about what writing about writing pedagogy actually is, for graduate students in composition pedagogy and their faculty, and for those researching composition pedagogy, threshold concepts, and learning transfer. \u003cp\u003e\u003c\/p\u003e Contributors: \u003cbr\u003e Linda Adler-Kassner, Olga Aksakalova, Joy Arbor, Matthew Bryan, Shawn Casey, Gabriel Cutrufello, Jennifer deWinter, Kristen di Gennaro, Emma Gaier, Christina Grant, Gwen Hart, Kimberly Hoover, Rebecca Jackson, Frances Johnson, Elizabeth Kleinfeld, Katie Jo LaRiviere, Andrew Lucchesi, Cat Mahaffey, Michael Michaud, Rebecca S. Nowacek, Andrew Ogilvie, Sarah Read, Rebecca Robinson, Kevin Roozen, Mysti Rudd, Christian Smith, Nichole Stack, Samuel Stinson, Hiroki Sugimoto, Lisa Tremain, Valerie Vera, Megan Wallace, Elizabeth Wardle, Christy I. 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Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.\u003c\/p\u003e \u003cp\u003eA book of great ambition, Sarah M. Broom's \u003ci\u003eThe Yellow House\u003c\/i\u003e tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. \u003ci\u003eThe Yellow House\u003c\/i\u003e expands the map of New Orleans to include the stories of its lesser-known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the Big Easy of tourist guides and the New Orleans in which Broom was raised, \u003ci\u003eThe Yellow House\u003c\/i\u003e is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. 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