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The name derives from the two Greek words, 'aster' (star) and 'phil' (lover), and the Latin word 'stella' meaning star. Thus Astrophel is the star lover, and Stella is his star. Sidney partly nativized the key features of his Italian model Petrarch, including an ongoing but partly obscure narrative, the philosophical trappings of the poet in relation to love and desire, and musings on the art of poetic creation. Sidney also adopts the Petrarchan rhyme scheme, though he uses it with such freedom that fifteen variants are employed. Sir Philip Sidney (1554-1586) became one of the Elizabethan Age's most prominent figures. In 1572, after studying at Christ Church, Oxford, he travelled to France as part of the embassy to negotiate a marriage between Elizabeth I and the Duc D'Alencon. He spent the next several years in mainland Europe. On these travels, he met a number of prominent European intellectuals and politicians. 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Each sonnet cycle is love poetry, and some of the finest verse in the English language: Sidney's 'Astrophel and Stella', Daniel's 'Delia', Drayton's 'Idea', Spenser's 'Amoretti', and Shakespeare's 'Sonnets'. This edition prints each poem cycle on its own, without notes or editorial intrusions. And each poem has a page to itself, rather than being crammed together. It's a useful edition for students. MICHAEL DRAYTON, SONET 4, FROM 'IDEA': BRIGHT STAR of beauty, on whose eyelids sit A thousand nymph-like and enamoured graces, The goddesses of memory and wit, Which there in order take their several places; In whose dear bosom, sweet delicious love Lays down his quiver which he once did bear, Since he that blessed paradise did prove, And leaves his mother's lap to sport him there Let others strive to entertain with words My soul is of a braver mettle made; I hold that vile which vulgar wit affords; In me's that faith which time cannot invade. 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