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In addition to drawing on particular novels, each chapter considers the sciences (genetics, endocrinology, physiology, neuroscience) and systems of thought (psychoanalysis, linguistics, sociology, forensic psychiatry, and existential philosophy) most germane to each causal factor or motive. Kern identifies five shifts in thinking about causality, shifts toward increasing specificity, multiplicity, complexity, probability, and uncertainty. He argues that the more researchers learned about the causes of human behavior, the more they realized how much more there was to know and how little they knew about what they thought they knew. The book closes by considering the revolutionary impact of quantum theory, which, though it influenced novelists only marginally, shattered the model of causal understanding that had dominated Western thought since the seventeenth century. 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To mark the books 20th anniversary, Kern provides a new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":49888006504721,"sku":"CIN067402169XA","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50329693618449,"sku":"CIN067402169XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51087655862545,"sku":"GOR005650359","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51904309494033,"sku":"CIN067402169XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/067402169X.jpg?v=1751295131"},{"product_id":"eyes-of-love-book-stephen-kern-9780948462832","title":"Eyes of Love","description":"﻿In King Cophetua and the Beggar Maid Edward Burne-Jones shows the monarch in profile, humbly holding his crown in his lap, looking up idolatrously at his beloved maiden. But she does not look down at him: she stares frontally, with wide-open hypnotic eyes. In Thomas Hardy’s Tess of the D’Urbervilles, Angel Clare gazes intently at Tess when preparing to propose.  She looks away… Stephen Kern identifies this compositional pattern as a ‘Proposal Composition’: a man in profile looks at a woman, who looks away from him and in the direction of the viewer. It recurs frequently in English and French paintings and novels of the second half of the nineteenth century – in works by Rossetti, Dickens, Manet and numerous others. Eyes of Love shows how the frequency of this proposal composition calls for a reconsideration of widely held arguments about ‘the gaze’. Kern shows that, compared with the eyes of men, the eyes of women are more visible, look out into a wider world, consider a more varied range of thoughts, and convey more profound, if not more intense, emotions. Kern’s bold reinterpretation of women in art and literature challenges a mass of scholarship that has been so intent upon viewing women as objectified victims of the male gaze that it has neglected to consider the potent subjectivity evident in women’s eyes. Compared with the eyes of men, the eyes of women are more visible, look out into a wider world, consider a more varied range of thoughts, and convey more profound, if not more intense, emotions.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50006092218641,"sku":"GOR009030081","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50374235390225,"sku":"CIN0948462833A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50613774614801,"sku":"GOR004928577","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":52718959952145,"sku":"GOR014596445","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0948462833.jpg?v=1750704962"},{"product_id":"time-and-space-in-the-internet-age-book-stephen-kern-9781032739809","title":"Time and Space in the Internet Age","description":"This book analyzes how new technologies transformed life and thought between two periods, 1880-1920 and 1980-2020, with a focus on temporal experiences of past, present, future and the spatial experiences of form, distance, and direction.  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As public opinion, family pressure, and religious conviction loosened, men and women took charge of their love. Stephen Kern argues that, in contrast to modern sex, Victorian sex was anatomically constricted, spatially confined, morally suspect, deadly serious, and abruptly over.  Kern divides love into its elements and traces profound changes in each: from waiting for love to ending it. Most revealing are the daring ways moderns began to talk about their current lovemaking as well as past lovers. While Victorians viewed jealousy as a \"foreign devil,\" moderns began to acknowledge responsibility for it. Desire lost its close tie with mortal sin and became the engine of artistic creation; women's response to the marriage proposal shifted from mere consent to active choice. There were even new possibilities of kissing, beyond the sudden, blind, disembodied, and censored Victorian meeting of lips.  Kern's evidence is mainly literature and art, including classic novels by the Brontës, Flaubert, Hugo, Eliot, Hardy, Forster, Colette, Proust, Mann, Joyce, Woolf, Lawrence, Hemingway, Fitzgerald, and Musil as well as the paintings and sculptures of Millais, Courbet, Gérôme, Rodin, Munch, Klimt, Schiele, Valadon, Chagall, Kandinsky, Kokoschka, Picasso, Matisse, and Brancusi. The book's conceptual foundation comes from Heidegger's existential philosophy, in particular his authentic-inauthentic distinction, which Kern adapts to make his overall interpretation and concluding affirmation of the value of authenticity: \"The moderns may have lost some of the Victorians' delicacy and poignancy, perhaps even some of their heroism, but in exchange became more reflective of what it means to be a human being in love and hence better able to make that loving more their very own.\"","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50356699726097,"sku":"CIN0674179595G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53439238013201,"sku":"GOR003828410","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0674179595.jpg?v=1750944715"},{"product_id":"culture-of-love-book-stephen-kern-9780674179585","title":"The Culture of Love","description":"In \"The Culture of Love\" Stephen Kern asserts that love itself merits its own history. Kern examines love over a period of profound change that bridges the years from \"Jane Eyre\" to the mid-1930s. The great 19th century novels of the Brontes, George Eliot, Victor Hugo, and Thomas Hardy and the modern classics of Virginia Woolf, Marcel Proust, D.H. Lawrence, and James Joyce serve as sources of insight into the contrasting ways of loving. Paintings and sculptures by Jessica Hayllar, Courbet, Gerome, and William Frith, in juxtaposition with works by Kokoschka, Picasso, Magritte, and Picabia, offer evidence of historic transformation as well. Kern draws on philosophy, especially the work of Heidegger, to interpret change across this period. He takes as his theme certain basic elements of love: embodiment, desire, language, sex, and power, along with specific situations: waiting, proposing, jealousy, wedding, ending. This is an original history of love, informed by the author's interpretation of literature and art. He shows how the courting ground expanded beyond the parlour to places where women study or work, how both men and women became more willing to disclose their past loves, even how modern lovers explored new possibilities of kissing beyond the sudden, blind and disembodied Victorian kiss. \"The Culture of Love\" reveals the language of Victorian love, constrained by cliches and rhetorical formalities, and it explores innocence and the price often paid for it. In contrast to recent studies that have emphasized the richness of Victorian sexuality, at least in the privacy of the home, Kern argues that, compared with the sexuality of the early 20th century it was also anatomically constricted, spatially confined, morally suspect, less satisfying, deadly serious, and abruptly over. 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Kern draws on such images to challenge the claim of some feminist critics and historians that gazing men monopolize subjectivity and turn women into sex objects. So intent are these writers on viewing women as victims, who in fact reveal a commanding subjectivity. Compared with the eyes of men, women's eyes are more visible, consider more varied thoughts, and convey more profound, if not more intense, emotions. An authoritative and highly original survey of European art and literature, Eyes of Love also challenges another widely held belief - that a double standard has clearly governed how society judged the sexes. Kern supports these startling interpretations of Renoir, Manet, Degas, Rossetti, Gauguin, Millais, Hunt, Burne-Jones, and Tissot with every evidence from novels by Hugo, Flaubert, Zola, Dickens, C. Bronte, Gaskell, Eliot, Hardy, and H. 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He argues that the more researchers learned about the causes of human behavior, the more they realized how much more there was to know and how little they knew about what they thought they knew. The book closes by considering the revolutionary impact of quantum theory, which, though it influenced novelists only marginally, shattered the model of causal understanding that had dominated Western thought since the seventeenth century. 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Analysing this period of exceptional cultural achievement in a wide range of fields including physics, cosmology, geology, biology, anthropology, psychology, psychiatry, philosophy, religion, literature and art, Kern contrasts the achievements of the modernist period, from 1890 to 1930, against the background of the Victorian period. Origins and Foundations in the Modernist Age surveys historically distinctive ideas about chronological origins as well as theoretical, ontological, functional and formal foundations and argues that modernists probed deeper into origins and foundations than the Victorians, especially in the physical and social sciences, and developed distinctive new foundational techniques in literature and art.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53136733241617,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53136733274385,"sku":"NGR9781399566599","price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"origins-and-foundations-in-the-modernist-age-book-stephen-kern-9781399565882","title":"Origins and Foundations in the Modernist Age","description":"In contrast to recent modernist studies that find evidence of modernism well before and after the period from 1890 to 1930, Stephen Kern concentrates on these key forty years to examine two fundamental ideas: origins and foundations. 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