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The catalogue studies the dialogue between Motherwell’s art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell’s use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742701068561,"sku":"NGR9783775754385","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50149733597457,"sku":"CIN3775754385G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":50996944994577,"sku":"NIN9783775754385","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3775754385.jpg?v=1773921305"},{"product_id":"abstract-expressionism-book-david-anfam-9781912520398","title":"Abstract Expressionism","description":"In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. 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As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50116755685649,"sku":"CIN1912520397G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51463451869457,"sku":"CIN1912520397VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52492075434257,"sku":"GOR012067638","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1912520397.jpg?v=1751315394"},{"product_id":"victor-brauner-surrealist-hyroglyphics-book-susan-davidson-9783775710886","title":"Victor Brauner: Surrealist Hyroglyphics","description":"As an early adherent of the Surrealist movement, Victor Brauner actively explored the realm of dreams and the unconscious, with an emphasis on the occult and mystical. Both in content and in style, his art represents a remarkably fertile fusion of wide-ranging world cultures, mythologies, and religious beliefs, from Egyptian to Aztec, Native American to Oceanic, Jewish to Hindu, to name only a few. In \"Victor Brauner: Surrealist Hieroglyphs\", Didier Semin, a pre-eminent Brauner scholar, clarifies Brauner's involvement with Surrealism and his sui generis interpretation of the movement. Margaret Montagne, author of the forthcoming Brauner catalogue raisonne, addresses the artist's use of psychoanalytical and arcane references to explore the motif of the double. Conservator Bradford Epley publishes his research on Brauner's revolutionary use of wax as a medium. Susan Davidson's introduction provides an insightful history of John and Dominique de Menils' patronage of Brauner and the reception of his art in America. 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Motherwell's enthusiasm for and dedication to the collage medium for the remainder of his career sets him apart from other artists of his generation and went beyond the mere physical presence of pasted cut-and-torn papers. 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