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Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49612673614097,"sku":"GOR004012884","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49760741589265,"sku":"GOR013778447","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50716437643537,"sku":"GOR014046364","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1861890648.jpg?v=1750899858"},{"product_id":"obtaining-images-book-timon-screech-9781780237442","title":"Obtaining Images","description":"The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. From the mid-seventeenth century, the Japanese states were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position necessitated owning them, soared. Painters and artists flourished and the seventeenth century also saw a rise in the importance of printmaking. There were major steps in official art, and also in popular and oppositional forms. Obtaining Images introduces the reader to important artists and their work, but also to the intellectual issues and concepts surrounding the production, consumption and display of art in Japan in the Edo period. Rather than looking at these through the lens of European art, the book contextualizes the making and use of paintings, prints and Buddhist icons, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them. Obtaining Images firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction for the student and general reader alike.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49738722312465,"sku":"NGR9781780237442","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1780237448.jpg?v=1750832377"},{"product_id":"obtaining-images-book-screeb-9780824836139","title":"Obtaining Images","description":"The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. Towards the mid-seventeenth century, the Japanese states were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position necessitated owning them, soared. Painters and artists flourished and the late seventeenth century also saw a rise in the importance of printmaking. There were dominant styles and trends throughout Japan, but also those peculiar to specific regions, such as the Kanto (Edo) and the Kamigata (Osaka and Kyoto) and, more remotely, Nagasaki.  Obtaining Images introduces the reader to important artists and their work, but also to the intellectual issues and concepts surrounding the production, consumption and display of art in Japan in the Edo period. Rather than looking at these through the lens of European art, the book contextualizes the making and use of paintings and prints, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them.  Different imperatives are at work in the art of different traditions, and Obtaining Images firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction for the student and general reader alike.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50098637799697,"sku":"CIN0824836138G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0824836138.jpg?v=1752929172"},{"product_id":"obtaining-images-book-timon-screech-9781861898142","title":"Obtaining Images","description":"The Edo period (1603-1868) witnessed one of the great flowerings of Japanese art. Towards the mid-seventeenth century the Japanese States were largely at peace, and rapid urbanization, a rise in literacy and an increase in international contact ensued. The number of those able to purchase luxury goods, or who felt their social position required them, soared. At the same time, painters and artists were flourishing and the early eighteenth century saw the rise in popularity and importance of printmaking. While there were dominant styles and trends throughout the composite Japanese polity, the 'Tenka', there were also those peculiar to specific regions: most striking was the difference between the cultural and artistic styles of the 'Kanto' (Kyoto) and those of the 'Kamigata' (Osaka and Edo). In Obtaining Images, Timon Screech introduces the reader not only to important artists and their work, but also to the intellectual issues and concepts surrounding the production and consumption of art in Japan at that time. Rather than looking at art in the Edo period through the lens of European art, Screech contextualizes the making and use of painting and prints, elucidating how and why works were commissioned, where they were displayed and what special properties were attributed to them. The author argues that different imperatives are at work in the art of different traditions, and firmly anchors the art of Japan of this period in its contemporary context, offering a highly engaging and comprehensive introduction to the student and general reader alike.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50181391089937,"sku":"GOR005694048","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1861898142.jpg?v=1750768929"},{"product_id":"lens-within-the-heart-book-timon-screech-9780824825942","title":"The Lens Within the Heart","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50464776651025,"sku":"CIN0824825942G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51422929256721,"sku":"CIN0824825942VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0824825942.jpg?v=1751330518"},{"product_id":"tokyo-before-tokyo-book-timon-screech-9781789149555","title":"Tokyo Before Tokyo","description":"A rich and original history of Edo, the shogun's city that became modern Tokyo.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50794407952657,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50794408214801,"sku":"NGR9781789149555","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52628561068305,"sku":"NIN9781789149555","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52902333415697,"sku":"CIN178914955XLN","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/178914955X.jpg?v=1751378091"},{"product_id":"shogun-s-silver-telescope-book-timon-screech-9780198832034","title":"The Shogun's Silver Telescope","description":"The East India Company, founded in London in 1600, was the world's biggest trading organization until the twentieth century. It was originally a spice trading organization, and its existence was precarious in its early years. But its governors soon began to think bigger. A decade after its foundation, they started to plan voyages to more adventurous places, notably Japan. Japan had silver, was cold in winter, and had no sheep, so was a perfect market for England's main export, woollen cloth. The Company planned to add to its spice-runs, sailing back and forth to Japan, exchanging wool for silver. This could be done quickly and easily, over the top of Russia - or so the maps of the day suggested (these same maps also showed Japan twenty times too large, about the size of India).   Knowing the Spanish and Portuguese had got there before them, the Company prepared a special present to impress and win over their Japanese hosts. They chose as their first gift a silver telescope. 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Changes in Japanese law have at last enabled erotic images to be published without fear of prosecution, and many books have since appeared in Japan. In this book, the author aims to situate the imagery within the contexts of sexuality, gender or power. Questions of aesthetics and of whether shunga deserve a place in the official history of Japanese art, have dominated and the question of the use of the images has been avoided. 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