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Chesterton responded to a spirit that unites mankind in the mysticism of happiness and of the play's pure poetry and intoxication of words, the amazing artistic and moral beauty of its design. As Tom Bishop says in this thoughtful guide to the play, one can acknowledge all this, and yet also note how the brightness of that design is full of shadow. Indeed, shadow is an important word in the play; the very actors who present it are finally called shadows. If the play celebrates happiness, it also knows something sadder, not only that unhappiness is possible but that happiness itself may be maintained only by a fragile resolution, perhaps by mere good fortune. Happiness is a kind of gift, perhaps even a kind of grace. 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