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A taut play results: Kushner's humor buoys his political anguish, his lyricism draws dry ideas into rhapsodies and elegies, his interest in character won't let even the most vaudevillian individual conform to type. -Marc Robinson, The Village Voice The heaven that Tony Kushner envisions in the epilogue of SLAVS , his bracing, rational 80-minute fantasia is a dark, gloomy place designed to look like a city after an earthquake . he has created a rambunctiously funny, seriously moving stage piece that is part buffoonish burlesque and part tragic satire. From beginning to end, it's also shot through with the kind of irony virtually unknown in today's theater, movies and television, where sarcasm passes as wit. There were hints of this exaggerated style in his epic MILENIUM APROACHES and PERESTROIKA, collectively known as ANGELS IN AMERICA . Mr Kushner has emphasized that SLAVS  Is not to be taken as the work of a historian. Rather, it's a work of a brilliant and restless imagination. 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