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Examples include Richard Rogers (of RHSP) on Maison de Verre (Paris, France); Chris Williamson (of Weston Williamson) on the Eames House by Charles and Ray Eames (Los Angeles, USA); Takero Shimazaki (of T-SA, UK) on Hexenhaus by Alison and Peter Smithson (Bad Karlshafen, Germany); Ted Cullinan (of Cullinan Studio) on Chapel of Notre Dame Du Haut by Le Corbusier (Ronchamp, France); Michael Squire (of Squire \u0026amp; Partners, UK) on Grundtvig’s Church by Peder Vilhelm Jensen-Klint (Copenhagen, Denmark); and Jonathan Woolf (of Jonathan Woolf Architects) on Haus Esters and Haus Lange by Mies van der Rohe (Krefeld, Germany).   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Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens.   Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. 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In this period concrete and steel gave a new freedom to construction, while new ideas about how congregations could participate in services changed assumptions about traditional layouts, bringing celebrants and people closer together. The century saw dynamic churches in dramatic shapes of all sizes thanks to ambitious engineering, and brilliant colour from new forms of stained glass, murals and sculpture.   Architects whose work is included here range from Basil Spence and Edward Maufe, designers of major cathedrals, to the radical Gillespie, Kidd and Coia whose brutalist seminary lies abandoned near Dumbarton. The book provides biographies of major designers; articles on glass, fittings, and on the synagogues, mosques and temples that play an intrinsic and important part in worship in Britain today. Contributors include architectural historians Elain Harwood, Alan Powers and Clare Price.   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